CCGL9001-Hong Kong Cinema through a Global Lens
Title
CCGL9001-Hong Kong Cinema through a Global Lens
Subject
Global Issues
Description
This course takes students on an interdisciplinary exploration of the local-global interactions from a variety of approaches. With a selection of Hong Kong films, the course aims to help students attain a thorough understanding of the two-way relationship between the local, popular entertainment and the global film scene by investigating the major questions concerning globalization. Film critics and scholars will be invited to conduct guest lectures.
References
Abbas, A. (1997). Hong Kong: Culture and the politics of disappearance. Hong Kong: Hong Kong University Press. [pp. 16-47]
Cheung, E. M. K., Marchetti, G., & Tan, S. -K. (2011). Hong Kong screenscapes: From the new wave to the digital frontier. Hong Kong: Hong Kong University Press.
Chu, Y. W. (2004). Introduction: Globalization and Hong Kong film industry. In E. M. K. Cheung & Y. W. Chu (Eds.), Between home and world (pp. 2-15). Hong Kong: Oxford University Press.
Corrigan, T. (2005/2011). A short guide to writing about film. New York: Longman.
Desser, D. (2005). Making movies male: Zhang Che and the Shaw Brothers martial arts movies, 1965-1975. In L. K. Pang & D. Wong (Eds.), Masculinities and Hong Kong cinema (pp. 17-34). Hong Kong: Hong Kong University Press.
Ford, S. (2008). Mabel Cheung Yuen-Ting’s An autumn’s tale. Hong Kong: Hong Kong University Press.
Hall, K. E. (2009). John Woo’s The killer. Hong Kong: Hong Kong University Press.
Kam, L. (2010). Hong Kong culture: Word and image. Hong Kong: Hong Kong University Press.
Lo, K. C. (2005). Chinese face/off : The transnational popular culture of Hong Kong. Hong Kong: Hong Kong University Press.
Cheung, E. M. K., Marchetti, G., & Tan, S. -K. (2011). Hong Kong screenscapes: From the new wave to the digital frontier. Hong Kong: Hong Kong University Press.
Chu, Y. W. (2004). Introduction: Globalization and Hong Kong film industry. In E. M. K. Cheung & Y. W. Chu (Eds.), Between home and world (pp. 2-15). Hong Kong: Oxford University Press.
Corrigan, T. (2005/2011). A short guide to writing about film. New York: Longman.
Desser, D. (2005). Making movies male: Zhang Che and the Shaw Brothers martial arts movies, 1965-1975. In L. K. Pang & D. Wong (Eds.), Masculinities and Hong Kong cinema (pp. 17-34). Hong Kong: Hong Kong University Press.
Ford, S. (2008). Mabel Cheung Yuen-Ting’s An autumn’s tale. Hong Kong: Hong Kong University Press.
Hall, K. E. (2009). John Woo’s The killer. Hong Kong: Hong Kong University Press.
Kam, L. (2010). Hong Kong culture: Word and image. Hong Kong: Hong Kong University Press.
Lo, K. C. (2005). Chinese face/off : The transnational popular culture of Hong Kong. Hong Kong: Hong Kong University Press.
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- AoI-Global Issues
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