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                  <text>This course introduces students to fundamental social and political issues at different periods in Chinese history through the primary source of poetic texts. As the relationship between the populace and the state has changed throughout history, so, too, have poetic forms. Our sources range from poems in the Book of Songs that protest the decadence of kings to contemporary avant-garde poets resisting political and cultural conformity. We explore the power of poetry and how it can convey radical messages obliquely, through symbolic imagery and imagined speakers, hence evading censorship by the regime. Students will also be given the opportunity to experiment writing their own poetry in different forms and genres.</text>
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                  <text>Cai, Z.- Q. (Ed.). (2008). How to read Chinese poetry: A guided anthology. New York: Columbia University Press.&#13;
van Crevel, M. (2008). Chinese poetry in times of mind, mayhem and money. Leiden: Brill.&#13;
Yang, B. -B. (2012). Disruptive voices: Three cases of outspoken ‘exemplary women’ in nineteenth-century China. In Nan nü: Men, women, and gender in China, 14(2): 222-61.&#13;
Yeh, M., &amp; Malmqvist, N. G. D. (Eds.) (2001). Frontier Taiwan: An anthology of modern Chinese poetry. New York: Columbia University Press.</text>
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                  <text>Ansari, A. (2016). Modern romance. Penguin Books. [Chap. 5, Online Dating]&#13;
Bonowicz, B. R. (2014). The perfect 46. [Film, 97 min.]&#13;
Cowan, Ruth S. (1985). More work for mother: The ironies of household technology from the open hearth to the microwave. Basic Books. [Chap. 1]&#13;
Fertil, É. (2012). Living with robots. [Documentary film, 55 min.]&#13;
George, R. (2008). The big necessity: The unmentionable world of human waste and why it matters. Henry Holt and Company. [Chap.8]&#13;
Jasanoff, S. (2016). The ethics of invention: Technology and the human future. W. W. Norton &amp; Company. [Chap. 1]&#13;
Morozov, E. (2011). The Internet in society: Empowering or censoring citizens?. RSA Animate. [Video Animation, 30 min.]&#13;
Rudrappa, S. (2015). Discounted life: The price of gobal surrogacy in India. New York: New York University Press. [Chap. 5]&#13;
Santos, G. (2017). Technological choices and modern material civilization: Reflections on everyday toilet practices in rural South China. In J. Arnason &amp; C. Hann (Eds.), Anthropology and Civilizational Analysis. New York: SUNY Press.&#13;
Slick, W., &amp; Omori, E. (2008). Passion and power: The technology of orgasm. [Documentary film, 74 min.]&#13;
Sternsdorff-Cisterna, N. (2015). Food after Fukushima: Risk and scientific citizenship in Japan. American Anthropologist, 117(3), 455-467.&#13;
Takeshita, C. (2011). Global biopolitics of the intra-uterine device: How science constructs contraceptive users and women’s bodies. MIT Press. [Chap. 1]&#13;
Wajcman, J. (2015). Pressed for time: The acceleration of life in digital capitalism. University of Chicago Press. [Chap. 4]</text>
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                  <text>This course introduces students to fundamental social and political issues at different periods in Chinese history through the primary source of poetic texts. As the relationship between the populace and the state has changed throughout history, so, too, have poetic forms. Our sources range from poems in the Book of Songs that protest the decadence of kings to contemporary avant-garde poets resisting political and cultural conformity. We explore the power of poetry and how it can convey radical messages obliquely, through symbolic imagery and imagined speakers, hence evading censorship by the regime. Students will also be given the opportunity to experiment writing their own poetry in different forms and genres.</text>
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                  <text>Cai, Z.- Q. (Ed.). (2008). How to read Chinese poetry: A guided anthology. New York: Columbia University Press.&#13;
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Yang, B. -B. (2012). Disruptive voices: Three cases of outspoken ‘exemplary women’ in nineteenth-century China. In Nan nü: Men, women, and gender in China, 14(2): 222-61.&#13;
Yeh, M., &amp; Malmqvist, N. G. D. (Eds.) (2001). Frontier Taiwan: An anthology of modern Chinese poetry. New York: Columbia University Press.</text>
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Dong, X., Milholland, B., &amp; Vijg, J. (2016, October 13). Evidence for a limit to human lifespan. Nature, 538, 257-259.&#13;
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The Economist. (2016, August 13). Longevity: Adding ages. From http://www.economist.com/news/briefing/21704788-fight-cheat-death-hotting-up-adding-ages.&#13;
Wu, J., Liu, Y., Li, S., Huang, P., Liu, Y., Wang, Y., &amp; Tang. H. (2016). Metabolomics insights into the modulatory effects of long-term low calorie intake in mice. Journal of Proteome Research, 15(7): 2299–2308.</text>
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                <text>Hung Shing Temples</text>
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                <text>Group Project of Group 5 in CCCH9051 (Semester 2, 2017-18)</text>
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                <text>Ho Shui Ho&#13;
Lai Chun Wing&#13;
Yeung Yi Man</text>
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                <text>Hung Shing Temples</text>
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                  <text>CCCH9043-Chinese Poetry as Social Critique</text>
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                  <text>This course introduces students to fundamental social and political issues at different periods in Chinese history through the primary source of poetic texts. As the relationship between the populace and the state has changed throughout history, so, too, have poetic forms. Our sources range from poems in the Book of Songs that protest the decadence of kings to contemporary avant-garde poets resisting political and cultural conformity. We explore the power of poetry and how it can convey radical messages obliquely, through symbolic imagery and imagined speakers, hence evading censorship by the regime. Students will also be given the opportunity to experiment writing their own poetry in different forms and genres.</text>
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                  <text>Cai, Z.- Q. (Ed.). (2008). How to read Chinese poetry: A guided anthology. New York: Columbia University Press.&#13;
van Crevel, M. (2008). Chinese poetry in times of mind, mayhem and money. Leiden: Brill.&#13;
Yang, B. -B. (2012). Disruptive voices: Three cases of outspoken ‘exemplary women’ in nineteenth-century China. In Nan nü: Men, women, and gender in China, 14(2): 222-61.&#13;
Yeh, M., &amp; Malmqvist, N. G. D. (Eds.) (2001). Frontier Taiwan: An anthology of modern Chinese poetry. New York: Columbia University Press.</text>
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                <text>大學街</text>
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                <text>Ho Yui Ming </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>This item is made available for research and educational purposes by the University of Hong Kong.</text>
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                <text>凍奶茶</text>
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                <text>麻雀</text>
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                <text>The Waterfall</text>
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                <text>無題</text>
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                <text>骨塔</text>
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                <text>喻緣</text>
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                <text>啊</text>
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                <text>西湖早行</text>
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                <text>The poem was written by a student throughout learning of the course (Chinese Poetry as Social Critique), which covers Chinese history, politics and poetry. Students were given the opportunity to experiment writing their own poetry in different forms and genres.</text>
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