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European Federation of Immunological Societies. (2009). Your amazing immune system: How it protects your body.&#13;
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Frazzetto, G. (2010, January). The science of online dating. EMBO reports, 11(1), 25-27.&#13;
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Roth, G. (2004). The quest to find consciousness. Scientific American Mind, 14(1), 32-39.&#13;
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European Federation of Immunological Societies. (2009). Your amazing immune system: How it protects your body.&#13;
Feinberg, C. (2013). The placebo phenomenon. Harvard Magazine, 37-39.&#13;
Frazzetto, G. (2010, January). The science of online dating. EMBO reports, 11(1), 25-27.&#13;
Harrington, A. (2007). How to house a mind inside a brain. Lessons from history. EMBO reports, 8(S1), S12-S15.&#13;
Roth, G. (2004). The quest to find consciousness. Scientific American Mind, 14(1), 32-39.&#13;
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Specter, M. (2013, February 4). The operator: Is the most trusted doctor in America doing more harm than good? The New Yorker.&#13;
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                  <text>This course offers a highly entertaining introduction to this interactive dynamics between TECHNOLOGY, society, and culture, situating present-day technological developments in the context of a longer history of global innovation that goes back to the industrial revolution. From flush toilets to smart robots, from washing machines to contraceptive pills, from sex toys to designer babies, from GMO crops to information technologies, the course will explore a wide-ranging number of case studies that challenge conventional ideas about technology, inviting students to develop a deeper understanding of the major social and technological forces shaping the contemporary world.</text>
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                  <text>Ansari, A. (2016). Modern romance. Penguin Books. [Chap. 5, Online Dating]&#13;
Bonowicz, B. R. (2014). The perfect 46. [Film, 97 min.]&#13;
Cowan, Ruth S. (1985). More work for mother: The ironies of household technology from the open hearth to the microwave. Basic Books. [Chap. 1]&#13;
Fertil, É. (2012). Living with robots. [Documentary film, 55 min.]&#13;
George, R. (2008). The big necessity: The unmentionable world of human waste and why it matters. Henry Holt and Company. [Chap.8]&#13;
Jasanoff, S. (2016). The ethics of invention: Technology and the human future. W. W. Norton &amp; Company. [Chap. 1]&#13;
Morozov, E. (2011). The Internet in society: Empowering or censoring citizens?. RSA Animate. [Video Animation, 30 min.]&#13;
Rudrappa, S. (2015). Discounted life: The price of gobal surrogacy in India. New York: New York University Press. [Chap. 5]&#13;
Santos, G. (2017). Technological choices and modern material civilization: Reflections on everyday toilet practices in rural South China. In J. Arnason &amp; C. Hann (Eds.), Anthropology and Civilizational Analysis. New York: SUNY Press.&#13;
Slick, W., &amp; Omori, E. (2008). Passion and power: The technology of orgasm. [Documentary film, 74 min.]&#13;
Sternsdorff-Cisterna, N. (2015). Food after Fukushima: Risk and scientific citizenship in Japan. American Anthropologist, 117(3), 455-467.&#13;
Takeshita, C. (2011). Global biopolitics of the intra-uterine device: How science constructs contraceptive users and women’s bodies. MIT Press. [Chap. 1]&#13;
Wajcman, J. (2015). Pressed for time: The acceleration of life in digital capitalism. University of Chicago Press. [Chap. 4]</text>
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                  <text>Worthing, D., &amp; Bond, S. (2008). Managing Built Heritage. John Wiley &amp; Sons. [Chap. 2: Asset Type, Their Managers and Management Implications] (Week 1)&#13;
Yung, E. H., &amp; Chan, E. H. (2011). Problem issues of public participation in built-heritage conservation: Two controversial cases in Hong Kong. Habitat International, 35(3), 457-466. (Week 2)&#13;
Letellier, R., &amp; Eppich, R. (Eds.). (2015). Recording, documentation and information management for the conservation of heritage places. Routledge. [How does heritage information fit into the conservation process] (Week 3)&#13;
Lynch, C. (2002). Digital collections, digital libraries &amp; the digitization of cultural heritage information. Microform &amp; Imaging Review, 31(4), 131-145.  (Week 4)&#13;
Hu, X., Ho, E. M. Y., &amp; Qiao, C. (2017). Digitizing Dunhuang cultural heritage: A user evaluation of Mogao Cave Panorama Digital Library. iConference. (Week 5)</text>
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                <text>Shreya Palit</text>
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          <element elementId="47">
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                <text>This item is made available for research and educational purposes by the University of Hong Kong.</text>
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                <text>Digitizing the Hong Kong Museum of Railway</text>
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                <text>Rediscover The Fading Colours</text>
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                <text>Discovering cultural heritage in Hong Kong</text>
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                <text>Hong Kong's Court of Final Appeal Building</text>
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                <text>Noon Day Gun</text>
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                <text>Spiritual Drink of Hongkongers-- Hong Kong intangible cultural heritage: Hong Kong Style Milk Tea</text>
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              <elementText elementTextId="978">
                <text>Yau Ma Tei Threatre</text>
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                <text>Cantonese Opera</text>
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              <elementText elementTextId="980">
                <text>The Cultural Heritage of Chai ( Indian Milk Tea )</text>
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              <elementText elementTextId="981">
                <text>A Wisdom in Mind -Bamboo Theatre Building Technique</text>
              </elementText>
              <elementText elementTextId="982">
                <text>Why Bing Sutt?</text>
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              <elementText elementTextId="983">
                <text>Hung Shing Temple</text>
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                <text>Exploring Hong Kong: Tai Hang Fire Dragon Dance</text>
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                <text>.mp4</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>CCCH-9051-2018-12</text>
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                <text>2018/4/9</text>
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        <name>China</name>
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                <text>Tea Culture in China</text>
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          <element elementId="41">
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                <text>Group Project of Group 44 in CCCH9051 (Semester 1, 2018-19)</text>
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            <name>Creator</name>
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              <elementText elementTextId="2095">
                <text>Cheung Ling Sze Lancy&#13;
Ng King Yuk&#13;
To Kit Yan Glenda&#13;
Tong Lok Him</text>
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                <text>&lt;span data-sheets-value="{&amp;quot;1&amp;quot;:2,&amp;quot;2&amp;quot;:&amp;quot;https://learning.hku.hk/ccch9051/group-44/&amp;quot;}" data-sheets-formula="=&amp;quot;https://learning.hku.hk/ccch9051/group-&amp;quot;&amp;amp;R[0]C[-1]&amp;amp;&amp;quot;/&amp;quot;"&gt;&lt;a class="in-cell-link" href="https://learning.hku.hk/ccch9051/group-44/" target="_blank"&gt;https://learning.hku.hk/ccch9051/group-44/&lt;/a&gt;&lt;/span&gt;</text>
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                  <text>CCHU9082-24 Frames: Communicating Ideas through Film</text>
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                  <text>Films move at 24 images (or frames) per second, while the stories they convey emotionally move us. Either in the form of daily-shared stories on our phones or streaming platforms at home, motion pictures are deep-seated. This course investigates films as tools for thought. Students will learn about interesting ways of watching films, film criticism, and especially how to communicate powerful ideas through short films. By the end of the semester, students will be able to communicate their own ideas on screen by using the method of remediation to visually discuss Hong Kong-related themes.&#13;
&#13;
Driven by an international range of film productions across time periods and genres, we will begin to develop a visual vocabulary through terms such as mapping, observation, narrative and montage in order to create our own short film adaptions. Using a ‘procedural mode of engagement’ — which we will explain in class — as a way of examining these contexts and frames, the course adapts film-making as an act of creative engagement with the built environment. This creative reservoir of residential atmospheres helps us to question our current place and time. Through in-class discussions, critical film analysis, peer reviews and short films, the course will enhance students’ visual communication skills. No prior film or poster making skills are required.</text>
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                <text>Tell me what you want</text>
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            <name>Creator</name>
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              <elementText elementTextId="2255">
                <text>Chen Mo</text>
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              <elementText elementTextId="2256">
                <text>He Ruixuan</text>
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                <text>He Xun Alex</text>
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                <text>Kwong Yuen Fung Judy</text>
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              <elementText elementTextId="2259">
                <text>Qian Wange</text>
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                <text>Mr N. Ettel</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Digital Multimedia project</text>
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