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                  <text>Cai, Z.- Q. (Ed.). (2008). How to read Chinese poetry: A guided anthology. New York: Columbia University Press.&#13;
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Yeh, M., &amp; Malmqvist, N. G. D. (Eds.) (2001). Frontier Taiwan: An anthology of modern Chinese poetry. New York: Columbia University Press.</text>
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Yang, B. -B. (2012). Disruptive voices: Three cases of outspoken ‘exemplary women’ in nineteenth-century China. In Nan nü: Men, women, and gender in China, 14(2): 222-61.&#13;
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                <text>Ho Yui Ming </text>
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                <text>This item is made available for research and educational purposes by the University of Hong Kong.</text>
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                <text>凍奶茶</text>
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              <elementText elementTextId="1295">
                <text>麻雀</text>
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                <text>苦夜吟</text>
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              <elementText elementTextId="1297">
                <text>無題</text>
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              <elementText elementTextId="1298">
                <text>The Waterfall</text>
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                <text>無題</text>
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                <text>骨塔</text>
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                <text>喻緣</text>
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                <text>Falling Leaves</text>
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                <text>啊</text>
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                <text>雨</text>
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                <text>餘音</text>
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                <text>西湖早行</text>
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              <elementText elementTextId="1307">
                <text>他</text>
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                <text>Chinese</text>
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                <text>CCCH-9043-2018-04</text>
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                <text>The poem was written by a student throughout learning of the course (Chinese Poetry as Social Critique), which covers Chinese history, politics and poetry. Students were given the opportunity to experiment writing their own poetry in different forms and genres.</text>
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            <name>Date Submitted</name>
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                <text>2018/4/25</text>
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                  <text>CCCH9043-Chinese Poetry as Social Critique</text>
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                  <text>China: Culture, State and Society</text>
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                  <text>This course introduces students to fundamental social and political issues at different periods in Chinese history through the primary source of poetic texts. As the relationship between the populace and the state has changed throughout history, so, too, have poetic forms. Our sources range from poems in the Book of Songs that protest the decadence of kings to contemporary avant-garde poets resisting political and cultural conformity. We explore the power of poetry and how it can convey radical messages obliquely, through symbolic imagery and imagined speakers, hence evading censorship by the regime. Students will also be given the opportunity to experiment writing their own poetry in different forms and genres.</text>
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                  <text>Cai, Z.- Q. (Ed.). (2008). How to read Chinese poetry: A guided anthology. New York: Columbia University Press.&#13;
van Crevel, M. (2008). Chinese poetry in times of mind, mayhem and money. Leiden: Brill.&#13;
Yang, B. -B. (2012). Disruptive voices: Three cases of outspoken ‘exemplary women’ in nineteenth-century China. In Nan nü: Men, women, and gender in China, 14(2): 222-61.&#13;
Yeh, M., &amp; Malmqvist, N. G. D. (Eds.) (2001). Frontier Taiwan: An anthology of modern Chinese poetry. New York: Columbia University Press.</text>
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                <text>喻緣</text>
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                <text>Lo Wing Lam, Winnie</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="1428">
                <text>This item is made available for research and educational purposes by the University of Hong Kong.</text>
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                <text>凍奶茶</text>
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                <text>麻雀</text>
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                <text>苦夜吟</text>
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                <text>大學街</text>
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                <text>無題</text>
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                <text>The Waterfall</text>
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                <text>無題</text>
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                <text>骨塔</text>
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              <elementText elementTextId="1437">
                <text>Falling Leaves</text>
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                <text>啊</text>
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                <text>雨</text>
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                <text>餘音</text>
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                <text>西湖早行</text>
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                <text>他</text>
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                <text>The poem was written by a student throughout learning of the course (Chinese Poetry as Social Critique), which covers Chinese history, politics and poetry. Students were given the opportunity to experiment writing their own poetry in different forms and genres.</text>
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