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                  <text>This course aims to help students better recognize and appreciate the importance and values of cultural heritages in Hong Kong, China and around the world, and to open their eyes to how digital technologies can be used to conserve and preserve cultural heritage worldwide. Three digital preservation projects will serve as running examples throughout this course: one from Hong Kong (e.g., the King Yin Lei virtual reality website), one from Mainland China (e.g., the e-Dunhuang online gallery), and one from Europe (e.g., the Europeana digital collections). Students will also gain a broad understanding on how economic development and heritage preservation impact us as global citizens in this information age. </text>
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                  <text>Worthing, D., &amp; Bond, S. (2008). Managing Built Heritage. John Wiley &amp; Sons. [Chap. 2: Asset Type, Their Managers and Management Implications] (Week 1)&#13;
Yung, E. H., &amp; Chan, E. H. (2011). Problem issues of public participation in built-heritage conservation: Two controversial cases in Hong Kong. Habitat International, 35(3), 457-466. (Week 2)&#13;
Letellier, R., &amp; Eppich, R. (Eds.). (2015). Recording, documentation and information management for the conservation of heritage places. Routledge. [How does heritage information fit into the conservation process] (Week 3)&#13;
Lynch, C. (2002). Digital collections, digital libraries &amp; the digitization of cultural heritage information. Microform &amp; Imaging Review, 31(4), 131-145.  (Week 4)&#13;
Hu, X., Ho, E. M. Y., &amp; Qiao, C. (2017). Digitizing Dunhuang cultural heritage: A user evaluation of Mogao Cave Panorama Digital Library. iConference. (Week 5)</text>
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                <text>The Taj Mahal is one of the New 7 Wonders of the World and an UNESCO World Heritage Site. This video talks about the beauty of Taj Mahal, the practises involved in preserving this cultural heritage and the challenges it is facing to preserve it. Fortunately, the concept of digitising the Taj Mahal is introduced which will help in preserving this beauty for generations to enjoy this marble wonder.</text>
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                  <text>This course aims to help students better recognize and appreciate the importance and values of cultural heritages in Hong Kong, China and around the world, and to open their eyes to how digital technologies can be used to conserve and preserve cultural heritage worldwide. Three digital preservation projects will serve as running examples throughout this course: one from Hong Kong (e.g., the King Yin Lei virtual reality website), one from Mainland China (e.g., the e-Dunhuang online gallery), and one from Europe (e.g., the Europeana digital collections). Students will also gain a broad understanding on how economic development and heritage preservation impact us as global citizens in this information age. </text>
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                  <text>Worthing, D., &amp; Bond, S. (2008). Managing Built Heritage. John Wiley &amp; Sons. [Chap. 2: Asset Type, Their Managers and Management Implications] (Week 1)&#13;
Yung, E. H., &amp; Chan, E. H. (2011). Problem issues of public participation in built-heritage conservation: Two controversial cases in Hong Kong. Habitat International, 35(3), 457-466. (Week 2)&#13;
Letellier, R., &amp; Eppich, R. (Eds.). (2015). Recording, documentation and information management for the conservation of heritage places. Routledge. [How does heritage information fit into the conservation process] (Week 3)&#13;
Lynch, C. (2002). Digital collections, digital libraries &amp; the digitization of cultural heritage information. Microform &amp; Imaging Review, 31(4), 131-145.  (Week 4)&#13;
Hu, X., Ho, E. M. Y., &amp; Qiao, C. (2017). Digitizing Dunhuang cultural heritage: A user evaluation of Mogao Cave Panorama Digital Library. iConference. (Week 5)</text>
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                <text>This is a video about some brief history of Hung Shing Temple, the background of Hung Shing Festival and the reason why people will visit the temple at the festival. Also include explanation of why the temple needs to be preserved and how to preserve it.</text>
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                <text>Lee Hoi Yan, Winona</text>
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                <text>Exploring Hong Kong: Tai Hang Fire Dragon Dance</text>
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                  <text>This course aims to help students better recognize and appreciate the importance and values of cultural heritages in Hong Kong, China and around the world, and to open their eyes to how digital technologies can be used to conserve and preserve cultural heritage worldwide. Three digital preservation projects will serve as running examples throughout this course: one from Hong Kong (e.g., the King Yin Lei virtual reality website), one from Mainland China (e.g., the e-Dunhuang online gallery), and one from Europe (e.g., the Europeana digital collections). Students will also gain a broad understanding on how economic development and heritage preservation impact us as global citizens in this information age. </text>
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                  <text>Worthing, D., &amp; Bond, S. (2008). Managing Built Heritage. John Wiley &amp; Sons. [Chap. 2: Asset Type, Their Managers and Management Implications] (Week 1)&#13;
Yung, E. H., &amp; Chan, E. H. (2011). Problem issues of public participation in built-heritage conservation: Two controversial cases in Hong Kong. Habitat International, 35(3), 457-466. (Week 2)&#13;
Letellier, R., &amp; Eppich, R. (Eds.). (2015). Recording, documentation and information management for the conservation of heritage places. Routledge. [How does heritage information fit into the conservation process] (Week 3)&#13;
Lynch, C. (2002). Digital collections, digital libraries &amp; the digitization of cultural heritage information. Microform &amp; Imaging Review, 31(4), 131-145.  (Week 4)&#13;
Hu, X., Ho, E. M. Y., &amp; Qiao, C. (2017). Digitizing Dunhuang cultural heritage: A user evaluation of Mogao Cave Panorama Digital Library. iConference. (Week 5)</text>
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                <text>This video is a short sketch that talks about the tradition that takes place in Tai Hang every year. The video will guide us on this journey to explore the interesting history of this incredible tradition.  It will also discuss how digitization of such cultural heritage(CH) would affect us on both our interest and understanding in CH.</text>
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                <text>Digitizing the Hong Kong Museum of Railway</text>
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                <text>Rediscover The Fading Colours</text>
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                  <text>Albom, M. (2007). Tuesdays with Morrie. London: Little, Brown.&#13;
Bauby, J. -D. (2007). The diving-bell and the butterfly. Hopkinton, MA: Vintage Books.&#13;
Damasio, A. R. (1994). Descartes’ error: Emotion, reason, and the human brain. New York: Putnam.&#13;
Descartes and Substance Dualism. In Philosophy Online. From http://www.philosophyonline.co.uk/oldsite/pom/pom_substance_dualism.htm&#13;
Egnew, T. (2005). The meaning of healing: Transcending suffering. Annals of Family Medicine, 3(1), 255-262.&#13;
Fadiman, A. (1997). The spirit catches you and you fall down. New York: Farrar, Straus and Giroux.&#13;
Foucault, M. (1989). The birth of the clinic: An archaeology of medical perception. London: Routledge.&#13;
French, P., &amp; Crabbe, M. (2010). Fat China: how expanding waistlines are changing a nation. London; New York: Anthem Press.</text>
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van Crevel, M. (2008). Chinese poetry in times of mind, mayhem and money. Leiden: Brill.&#13;
Yang, B. -B. (2012). Disruptive voices: Three cases of outspoken ‘exemplary women’ in nineteenth-century China. In Nan nü: Men, women, and gender in China, 14(2): 222-61.&#13;
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        <name>China</name>
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                  <text>CCCH9043-Chinese Poetry as Social Critique</text>
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                  <text>This course introduces students to fundamental social and political issues at different periods in Chinese history through the primary source of poetic texts. As the relationship between the populace and the state has changed throughout history, so, too, have poetic forms. Our sources range from poems in the Book of Songs that protest the decadence of kings to contemporary avant-garde poets resisting political and cultural conformity. We explore the power of poetry and how it can convey radical messages obliquely, through symbolic imagery and imagined speakers, hence evading censorship by the regime. Students will also be given the opportunity to experiment writing their own poetry in different forms and genres.</text>
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                <elementText elementTextId="50">
                  <text>Cai, Z.- Q. (Ed.). (2008). How to read Chinese poetry: A guided anthology. New York: Columbia University Press.&#13;
van Crevel, M. (2008). Chinese poetry in times of mind, mayhem and money. Leiden: Brill.&#13;
Yang, B. -B. (2012). Disruptive voices: Three cases of outspoken ‘exemplary women’ in nineteenth-century China. In Nan nü: Men, women, and gender in China, 14(2): 222-61.&#13;
Yeh, M., &amp; Malmqvist, N. G. D. (Eds.) (2001). Frontier Taiwan: An anthology of modern Chinese poetry. New York: Columbia University Press.</text>
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      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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                <text>麻雀</text>
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                <text>Leung Wai Ho </text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>This item is made available for research and educational purposes by the University of Hong Kong.</text>
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              <elementText elementTextId="1240">
                <text>凍奶茶</text>
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                <text>苦夜吟</text>
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                <text>大學街</text>
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              <elementText elementTextId="1243">
                <text>無題</text>
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              <elementText elementTextId="1244">
                <text>The Waterfall</text>
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              <elementText elementTextId="1245">
                <text>無題</text>
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              <elementText elementTextId="1246">
                <text>骨塔</text>
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                <text>喻緣</text>
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                <text>Falling Leaves</text>
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                <text>啊</text>
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                <text>雨</text>
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                <text>餘音</text>
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                <text>西湖早行</text>
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                <text>他</text>
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            <description>A language of the resource</description>
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                <text>中文</text>
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            <name>Identifier</name>
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                <text>CCCH-9043-2018-02</text>
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            <description>The nature or genre of the resource</description>
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                <text>The poem was written by a student throughout learning of the course (Chinese Poetry as Social Critique), which covers Chinese history, politics and poetry. Students were given the opportunity to experiment writing their own poetry in different forms and genres.</text>
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            <name>Date Submitted</name>
            <description>Date of submission of the resource. Examples of resources to which a Date Submitted may be relevant are a thesis (submitted to a university department) or an article (submitted to a journal).</description>
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                <text>2018/4/25</text>
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