3 10 43 https://learning.hku.hk/ccch9051/group-64/files/original/c4ca91b82c93510990eac16a4af67659.jpg eb6abe516f061ff85fd79489e0ef466a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wood / Bamboo Description An account of the resource Given that the lower technological requirements and its usefulness, wood and bamboo are the primary raw materials among ancient Chinese people. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. The long, round, hardwood neck of the erhu runs through its constructed hexagonal wooden resonating chamber the front of which is covered by a snakeskin soundboard (affixed by glue). The backside of the resonator is open but adorned with a carved wooden screen. White plastic or bone caps adorn both the curved top end of the neck and the ends of the two friction tuning pegs, which are inserted through the backside of the neck. A red velvet cushion is fixed to the bottom of the resonator. One end of each steel string is attached to and wrapped around a tuning peg, the other end terminates in a noose that is looped over a metal tail pin on the bottom side of the resonator. The top end of the vibrating segment of the strings is articulated with an adjustable sliding nut (called qianjin) of nylon cord; the lower end of the vibrating segment is where the strings pass over a small wooden bridge on the soundboard. The bow is made of bamboo – however, a Western bow hair-tightening mechanism has been attached, making unnecessary the established technique of holding the bow hair taut while playing the instrument. Usage and Application The real-life implications or uses of the selected crafts. It is used as one of the main melodic instruments for accompaniment of Beijing opera performance and in regional instrumental ensembles. Materials Objects used to create, produce or develop the item Wood, Metal, Horsehair Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Erhu 二胡 Subject The topic of the resource Chinese music, Sound, Craft Description An account of the resource The erhu is a bowed spike-lute chordophone of the Han Chinese (‘er’ means two; ‘hu’ originally meant ‘barbarian,’ but now ‘fiddle’). Format The file format, physical medium, or dimensions of the resource Wooden Type The nature or genre of the resource Craft Date A point or period of time associated with an event in the lifecycle of the resource Tang Dynasty (618-907 AD) Tang Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/d2f71093390c7b59126c99fd9371a4aa.jpg 119532ae63d051d4afe5fce908a4562b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wood / Bamboo Description An account of the resource Given that the lower technological requirements and its usefulness, wood and bamboo are the primary raw materials among ancient Chinese people. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. It is crafted with a handle and a wooden ball hanging from a string attached to each end of the edge to beat the drum. Usage and Application The real-life implications or uses of the selected crafts. During Song Dynasty, the Bolang Gu drum found its way in ceremonies, music and commercial activities. It also became a toy for children, enjoying an immense popularity, mainly thanks to its sound effect and its entertaining function. Although pellet drums are often used in religious ritual (particularly Tibet, Mongolia, India, and Taiwan), small versions are also used in East Asia as children’s toys or as noisemakers by street vendors. Such small versions are sometimes also referred to as rattle drums. Materials Objects used to create, produce or develop the item Wood, Leather, Paper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ​Bolang Gu 撥浪鼓 Subject The topic of the resource Toy, Kids, Play Description An account of the resource The rattle-drum is one of the oldest and most traditional toys in China. Date A point or period of time associated with an event in the lifecycle of the resource Shang Dynasty (1600-1046 BC) Format The file format, physical medium, or dimensions of the resource Palm size Type The nature or genre of the resource Craft Shang Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/777281553d9b80bf503a0805f6a9a007.jpg a37b96b1d19bd39c42e138b737821b7d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fabric Description An account of the resource Fabric, whether it is made by wool, or silk, involves in Chinese people's everyday life. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. The Southern Lion has a single horn, and is associated with the legend of a mythical monster called Nian. The lion consists of a head which is traditionally constructed using papier-mâché over a bamboo frame covered with gauze, then painted and decorated with fur, and a body made of durable layered cloth trimmed with more fur. Newer lions however may be made with modern materials such as aluminium instead of bamboo and are lighter. Newer versions may also apply shinier modern material over the traditional lacquer such as sequin or laser sticker but they do not last as long as those with semi-dull lacquer. Depending on the lion type (Traditional or Modern), Different types of fur can be used. Usage and Application The real-life implications or uses of the selected crafts. The lion dance is usually performed during the Chinese New Year and other Chinese traditional, cultural and religious festivals. It may also be performed at important occasions such as business opening events, special celebrations or wedding ceremonies, or may be used to honour special guests by the Chinese communities. Chinese lion dances are performed by two "dancers" in a lion costume, rather like a pantomime horse. The performers become the body of the lion: the one in front is the head and front limbs, the one behind is the back and hind legs. Performers' legs are dressed the same color as the lion's body, and sometimes the costume extends to shoes the shape and color of the lion's paws. Materials Objects used to create, produce or develop the item Fabric, Plastic, Metal Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. Legend has it that the emperor had a dream one night in which a strange looking animal saved his life. The next morning, the emperor described the dream to his ministers. One minister told the emperor that the strange animal resembled a creature from the West, a lion. Since the strange animal saved the emperor in his dream, the lion quickly became a symbol of good luck throughout China. It was believed that a dancing lion chased away evil spirits. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Lion Dance Costume 舞獅 Subject The topic of the resource Festival, Lion, Costume, Folk culture, Chinese New Year Description An account of the resource A lion costume used a form of traditional dance in Chinese culture and other Asian countries in which performers mimic a lion's movements. The lion dance is one of the most important traditions at Chinese New Year. It is performed to bring prosperity and good luck for the upcoming year. The lion dance is also a way to create a festive atmosphere and bring happiness. Performed in a lion costume, accompanied by the music of beating drums, clashing cymbals, and resounding gongs, lion dances imitate a lion's various movements or demonstrate martial arts agility, depending on the style. Date A point or period of time associated with an event in the lifecycle of the resource Three-kingdoms period (220–280 AD) Format The file format, physical medium, or dimensions of the resource 2-3 men size Type The nature or genre of the resource Craft Three-kingdoms Period https://learning.hku.hk/ccch9051/group-64/files/original/10baf41c1759d436785891ab0c89085d.jpg 8e282d3c325fc18488d7267476cbc96d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paper Description An account of the resource Being one of the 4 great inventions in China, paper exists in everyone's daily life for centuries. Many products and crafts rely on papers. Creator An entity primarily responsible for making the resource Cai lun Date A point or period of time associated with an event in the lifecycle of the resource Han Dynasty (206 BC – 220 AD) Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. It is made of a thin material (such as paper or feathers) mounted on slats which revolve around a pivot so that it can be closed when not in use. The folding fan is composed of sticks (the outer two called guards) held together at the handle end by a rivet or pin. On the sticks is mounted a leaf that is pleated so that the fan may be opened or closed. The production of a folding fan involves intense manual work of around 145 procedures, including dying, gluing, painting, engraving, and inlaying work. There are a wide range of options for materials of fan ribs, including bamboo, sandalwood, ebony, tortoiseshell, ivory, mother of pearl, bones, etc., with bamboo the most common. The application of precious materials not only make the fans more visually-appealing, but also increase their value. Usage and Application The real-life implications or uses of the selected crafts. In the Ming dynasty, folding fans had such a rapid development thanks to the support of the royal court that they became a necessary accessory to an elegant life. This form of art reached its heyday in the later Qing dynasty (1644-1912 AD), a little too widespread in the eyes of some. It was a popular tradition of exchanging folding fans with pieces of calligraphy and painting of poetic landscapes on the panel as gifts of friendship among the literati, especially in the Jiangnan area of China, namely, the lower reaches of the Yangtze River, where men of letters and artists clustered during that period. When it came to the Republic of China era (1912-1949 AD), folding fans became valuable items for collection while continuing to fulfill the function of expressing friendship. Panel calligraphies and paintings, featuring natural, refreshing and lively styles, achieved popularity with the aid of the special form of folding fan panels. Many people at that time took pride in the possession of one folding fan with painting or calligraphy by a well-known artist. Materials Objects used to create, produce or develop the item Wood, Bamboo, Fabric Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. It has been popular to draw fans or write poems about fans, and paint or write on paper fans. There is a story about Wang Xizhi (303-361 AD), who is best known for his mastery of Chinese calligraphy. He is regarded as one of the greatest Chinese calligraphers in history and his works have exerted a far-reaching influence on future generations. However, it is a pity his works were lost and only the replicas in the Tang Dynasty (618-907 AD) have been preserved till today. It is said that once Wang saw an elderly lady selling fans. As it was the end of the summer, business was not so good. She looked very upset, so Wang decided to help her. He wrote a few characters on each fan and told the old woman to raise the price. On seeing calligraphy by Wang on those fans, people all competed to buy them, which then sold out very quickly. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Folding Fan 紙扇 Description An account of the resource Handheld fan, or simply hand fan, may be any broad, flat surface that is waved back-and-forth to create an airflow. Generally, purpose-made handheld fans are folding fans, which are shaped like a sector of a circle. Date A point or period of time associated with an event in the lifecycle of the resource Northern and Southern Dynasties (420-589 AD) Format The file format, physical medium, or dimensions of the resource Hand-held size, Sector shape Type The nature or genre of the resource Craft Subject The topic of the resource Fan, Folk art, Decoration, Calligraphy Northern and Southern Dynasties https://learning.hku.hk/ccch9051/group-64/files/original/94e1b1453224d2c937e45f4651167aef.jpg 0e785a7c533aab472878caaea5bcecbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paper Description An account of the resource Being one of the 4 great inventions in China, paper exists in everyone's daily life for centuries. Many products and crafts rely on papers. Creator An entity primarily responsible for making the resource Cai lun Date A point or period of time associated with an event in the lifecycle of the resource Han Dynasty (206 BC – 220 AD) Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. The materials for making a lantern are very simplistic. Historically, bamboo, wood, rattan, or wire was used for the frame. The shade was crafted from delicate paper or silk. Lanterns were often decorated with Chinese calligraphy, painting, paper cutting, and even embroidery. Usage and Application The real-life implications or uses of the selected crafts. The original use of lanterns was primarily as a light source. They were used both indoors and out to provide a shaded light for reading and working. The protection from wind provided by the decorative silk or paper shade kept the lanterns from going out with the breeze. In ancient China, they were used to provide light and eventually as aspects of Buddhist worship. Moreover, they are used for decoration, celebration and festivals. For examples, lanterns hung at Chinese New Year are thought to scare aware the Nian monster and bring good luck. The Lantern Festival is one of the best days to view Chinese lanterns in action. It is always held on the 15th day of the first Chinese lunar month. The festival is viewed as the end to the Chinese New Year celebrations and is celebrated with the release of floating and flying lanterns. Materials Objects used to create, produce or develop the item Bamboo / Wood / Rattan / Wire, Paper / Silk Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. Originally, monks used lanterns on the twelfth day of the first lunar month in their worship of the Buddha. During the Eastern Han Dynasty, the Emperor Liu Zhuang was a Buddhist and he ordered the inhabitants of the imperial palace and citizens to light lanterns to worship the Buddha just as the monks did. Later, this custom gradually became a grand festival among common people. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Lantern 燈籠 Description An account of the resource Originated from Eastern Han Dynasty, paper lanterns were mainly used as lamps in ancient China. Paper and silk were the major materials used for manufacturing. Subject The topic of the resource Light, Festival, Entertainment Date A point or period of time associated with an event in the lifecycle of the resource Eastern Han Dynasty (25-220 AD) Relation A related resource Sky Lantern Type The nature or genre of the resource Craft Format The file format, physical medium, or dimensions of the resource Various dimensions Han Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/ae1537bc0245c536a2dcccd4816db0a4.jpg d8818cdb5124495c03c30ad3b7b58463 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Other Materials Description An account of the resource Other undefined items are categorised here, such as items made of animal skins, body parts, or something intangible. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. The method of making traditional shuttlecocks is as follows: Rooster feathers are tied together and inserted into the square hole of a coin which is then tightly wrapped by cloth and sewn. There are different kinds of shuttlecocks, some made of rooster feathers, some of hair, some of paper strips, and some of woolen threads. Materials Objects used to create, produce or develop the item Feathers, Cloth, Wool, Paper, Coins (traditional) Usage and Application The real-life implications or uses of the selected crafts. It was believed that it was first created for the Chinese military to have an enjoyable form of exercise. The popularity of the shuttlecock spread to the common people for leisure and recreational purposes There are essentially four kicking techniques: "kicking with the inner side of the foot, with the leg bent inside; kicking with the outer side of the foot, with the leg bent outside; kicking backward with the heel; and kicking forward with the instep." Competitions are organized on the basis of the kicking technique. The traditional matches include number play, time play and variety play. Shuttlecock kicking is a good exercise for strengthening the whole body. It requires no special venue or equipment. The amount of physical exertion can vary from person to person. It is a good game for people of all age groups for improving flexibility, coordination and fitness.. Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. In the early 1970s two Americans came up with a ‘new’ game which they called Hacky-Sack. Actually inspired by Jianzi, they formed a company, trademarked the game and the little sacks/balls they manufactured with which to play it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Shuttlecock (Jianzi) 毽子 Description An account of the resource Jianzi is a traditional Chinese national sport in which players aim to keep a heavily weighted shuttlecock in the air by using their bodies, apart from the hands. Subject The topic of the resource Play, Kids, Sports Date A point or period of time associated with an event in the lifecycle of the resource Han Dynasty (206 BC – 220 AD) Relation A related resource Cuju Format The file format, physical medium, or dimensions of the resource Palm size, Colourful Type The nature or genre of the resource Craft Han Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/24d14b2938270397ef4c8c11f908faad.jpg 3a2883e2cbd78283a2a0d731717ea403 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ceramic Description An account of the resource Ceramic (from clay) produces a lot of containers and tools for many ancient Chinese people. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Generally, opera masks are made up of ceramic material. And while in blank face, the performer or perhaps a makeup artist can design or decorate the face with detailed and decorative artwork defining and enhancing more the character and thus establishes the role. Materials Objects used to create, produce or develop the item Ceramic Usage and Application The real-life implications or uses of the selected crafts. These masks are more than seemingly as added decorations. Chinese opera masks are significant in a way that they represent the performers’ or characters’ personalities, intense moods, and status quo even. Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. The acting mask is quite closely associated with the “Masquerading” dramatic play of the Tang Dynasty. As the story goes, King Lan Ling of the Northern Qi Kingdom was such a brave and courageous fighter, but his appearance was too handsome that he cannot frighten the enemy. So he would wear a carved wooden mask to lead his army into battle, and triumphed over the enemy like it was never before. The theatrical drama “King Lan Ling going to battle” of the Tang Dynasty is a depiction of King Lan Ling of the Kingdom of Northern Qi commanding his troupe to launch an attack on the enemy. The stage actors would all wear masks in the performance. Since then, acting masks started to appear in theatrical dramas. Similar opera masks can be seen by performers of Bian Lian. Bian Lian is an ancient Chinese dramatic art that is part of the more general Sichuan opera. Performers wear brightly colored costumes and move to quick, dramatic music. They also wear vividly colored masks, typically depicting well known characters from the opera, which they change from one face to another almost instantaneously with the swipe of a fan, a movement of the head, or wave of the hand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opera Mask 面譜 Description An account of the resource The Chinese opera is one of the oldest known dramatic art forms worldwide. However, it is evident that most audience or spectators are more fascinated with the Opera masks normally used in every opera performance. Subject The topic of the resource Face, Performance, Drawings, Face-decoration Source A related resource from which the described resource is derived Beijing Opera Date A point or period of time associated with an event in the lifecycle of the resource Tang Dynasty (618-907 AD) Format The file format, physical medium, or dimensions of the resource Face sized and shaped, Colourful decoration Type The nature or genre of the resource Craft Tang Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/86a8790224561d906dcd0ab5f4207134.jpg 66c3e4217e395f302d53d1b3ed9b42c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mineral Description An account of the resource Unearthed from the ground, minerals are some raw materials that are widely used. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Stones were carved to make Chinese chess pieces. Materials Objects used to create, produce or develop the item Stones Usage and Application The real-life implications or uses of the selected crafts. Chinese chess was a strategy game previously used for military training. This first chess was called The game to capture Xiang Qi, Xiang Qi being the name of the commander of the opposing army. (This battle is well established in Chinese history.) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Chess 象棋棋子 Description An account of the resource The original chess was invented in China, right around 200 B.C., by a military commander named Hán Xin ("Hahn Sheen"). Date A point or period of time associated with an event in the lifecycle of the resource ~200 BC Format The file format, physical medium, or dimensions of the resource Small, Circular Disks Type The nature or genre of the resource Craft Subject The topic of the resource Pawns, Chess, Game Creator An entity primarily responsible for making the resource Hán Xin ("Hahn Sheen") https://learning.hku.hk/ccch9051/group-64/files/original/27e30443766f3ee5f00148dceee43f87.jpeg bcf88abf73a85708a9ba7c679130e6cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fabric Description An account of the resource Fabric, whether it is made by wool, or silk, involves in Chinese people's everyday life. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Most knots are double layered and symmetrical and have two cords entering the knot from the top and two leaving from the bottom. Materials Objects used to create, produce or develop the item Strings, Ropes Usage and Application The real-life implications or uses of the selected crafts. Each kind of knot is named after its shape or the symbolic meaning that it carries. People may have originally made them to record information and convey messages before people started to write. Around the times of Chinese new year festival, Chinese knot decorations can be seen hanging on walls, doors of homes and as shop decorations to add some festival feel. Usually, these decorations are in red color, which traditional Chinese regards it as a color of "luck". Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. This connotation can even be seen in Chinese words. The Chinese word for 'rope' is 'shèng' that sounds similar to the words for 'spirit,' 'divine,' and 'life.' Knots had a spiritual meaning and were used for worship. The word for 'knot' itself is 'jié' and is related to many other terms that reinforce the symbolic meaning of the knots. For example, 'tuán jié' which means 'to unite,' 'jié hūn' means 'to marry,' and 'jié guŏ' means 'bear fruit,' 'result,' or 'outcome.' So a knot given to a marriage partner or a couple means all these things and having children as well. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Knotting 中國結 Description An account of the resource A Chinese knot is a knot that is tied and woven from a single length of cord or rope to be a variety of shapes and of varying complexity. Each shape has its own symbolic meaning, and nowadays you can find them as decoration, gifts for special occasions, and adornments on clothes. Subject The topic of the resource Decoration, Blessings, Strings, Folk art Date A point or period of time associated with an event in the lifecycle of the resource Tang and Song Dynasties (960–1279 AD) Format The file format, physical medium, or dimensions of the resource Palm-sized Type The nature or genre of the resource Craft Song Dynasty Tang Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/1169c6c4ed1e15155d6b2ffc0a476e8e.jpeg b6b12132af321037cece683319d1a553 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mineral Description An account of the resource Unearthed from the ground, minerals are some raw materials that are widely used. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Imperial guardian lions were sculpted from large pieces of granite and marble, or cast from bronze or iron. Materials Objects used to create, produce or develop the item Marble / Granite / Stone / Bronze / Iron Usage and Application The real-life implications or uses of the selected crafts. Supposed to have mystic protective powers, it can be found in front of such places as temples, imperial palaces, government offices or in front of homes of high ranking members of society indicating their financial and/ or social status. Also, it is used as a guardian to protect those with power in society. Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. The lions are always presented in pairs, a manifestation of yin and yang, the female representing yin and the male yang. The male lion has its right front paw on a type of cloth ball simply called an "embroidered ball", which is sometimes carved with a geometric pattern. The female is essentially identical, but has a cub under the left paw, representing the cycle of life. Symbolically, the female lion protects those dwelling inside (the living soul within), while the male guards the structure (the external material elements). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Imperial Guardian Lion 石獅子 Description An account of the resource Chinese or Imperial guardian lions are a traditional Chinese architectural ornament. Date A point or period of time associated with an event in the lifecycle of the resource Han Dynasty (202 BC - 220 AD) Format The file format, physical medium, or dimensions of the resource Man-size Type The nature or genre of the resource Craft Subject The topic of the resource Protection, Architectural Ornament Han Dynasty