https://learning.hku.hk/ccch9051/group-64/files/original/0539e6f08f0ce4814ce6a0de767bb0c0.jpg a79a02c80a3db74706c708923f5a8733 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Other Materials Description An account of the resource Other undefined items are categorised here, such as items made of animal skins, body parts, or something intangible. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. All educated men and some court women were expected to be proficient at it, an expectation which remained well into modern times. Far more than mere writing, good calligraphy exhibited an exquisite brush control and attention to composition, but the actual manner of writing was also important with rapid, spontaneous strokes being the ideal. Materials Objects used to create, produce or develop the item Ink Usage and Application The real-life implications or uses of the selected crafts. Calligraphy initially began due to the need to record ideas and information. The unique forms of calligraphy developed and originated from China, particularly for writing Chinese characters by using ink and a brush. Furthermore, Chinese calligraphy is responsible for the development of numerous forms of art such as ornate paperweights, ink stones, and seal carving. Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. Just like in any other art, the most gifted practitioners of calligraphy became famous for their work and their scripts were copied and used in such innovations as printed books. The most revered of all Chinese calligraphers, as mentioned already, was Wang Xizhi (c. 303 - c. 365 CE), although he was a student of Lady Wei (272-349 CE). No examples of either figure’s writing survive, except possibly in extant copies of Xizhi’s. Wang Xizhi’s son, Wang Xianzhi (344-388 CE), was another famous practitioner, the pair often referred to as ‘the two Wangs’. Zhao Mengfu (1254-1322 CE) was another celebrated calligrapher who produced such precise characters placed neatly into square boxes on his paper that printers used his script for their own type blocks. Related Videos Multimedia files that visually shows the moving images https://youtu.be/yTLQuoFy6Y0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Calligraphy 書法 Subject The topic of the resource Hand writing, Folk culture, Art Description An account of the resource Chinese Calligraphy is a traditional form of writing characters from the Chinese language through the use of ink and a brush. It is a tradition that is rooted in China through centuries of practice. It is an art of turning Chinese characters into images through pressure and speed variations of the pointed Chinese brush. Creator An entity primarily responsible for making the resource Cheng Miao Date A point or period of time associated with an event in the lifecycle of the resource Han Dynasty (206 BC - 220 AD). Format The file format, physical medium, or dimensions of the resource Flat Type The nature or genre of the resource Craft Han Dynasty