2 10 43 https://learning.hku.hk/ccch9051/group-64/files/original/301edd4c46800e1ba4cb39fc2623e3ed.jpeg a067a238e605c513f89e6718e9f86d41 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Other Materials Description An account of the resource Other undefined items are categorised here, such as items made of animal skins, body parts, or something intangible. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Rods are attached to specially-shaped sheets to make puppets. These puppets cast shadows on cloth. Materials Objects used to create, produce or develop the item Cloth, Leather, Paper Usage and Application The real-life implications or uses of the selected crafts. Shadow puppetry is a form of entertainment which is often associated with child entertainment. Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. There are several myths and legends about the origins of shadow puppetry in China. The most famous one has it that Chinese shadow puppetry originated when the favourite concubine of Emperor Wu of Han (156-87 AD) died and magician Shao-weng promised to raise her spirit. The emperor could see a shadow that looked like her move behind the curtains that the magician had placed around some lit torches. It is often told that the magician used a shadow puppet, but the original text in Book of Han gives no reason to believe in a relation to shadow puppetry. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Shadow Puppetry 皮影 Description An account of the resource Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. Date A point or period of time associated with an event in the lifecycle of the resource Tang Dynasty (618 AD - 907 AD) Format The file format, physical medium, or dimensions of the resource Flat Type The nature or genre of the resource Craft Subject The topic of the resource Performance, Folk art, Concert Tang Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/6d34af298ccb9c2a63d65635f8bd0720.jpg 558d1b3cc788f278c1bef01f99277635 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mineral Description An account of the resource Unearthed from the ground, minerals are some raw materials that are widely used. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Engravings on the seal face can follow several calligraphy styles, which master engravers work hard to develop. Common carvings include Chinese characters, landscapes, figures, birds, or flowers. Seals can be carved one of two ways: the material is carved away from the character, leaving a red ink outline when used on paper, or the character is carved into the material, leaving the character in white amidst a red background. Seals can have a variety of shapes and sizes. There are four parts to a seal: grip or handle, body or platform, sides, and face. Carvings may be done on the grip portion of the seal or on the entire seal. Materials Objects used to create, produce or develop the item Mineral, Stone Usage and Application The real-life implications or uses of the selected crafts. Seals were used to mark documents. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource China Seals 印章 Description An account of the resource A Chinese seal (印章 yìnzhāng) is a seal or stamp used to mark important documents, pieces of art, contracts, or any other item that requires a signature. Date A point or period of time associated with an event in the lifecycle of the resource Qin Dynasty (221 BC - 207 BC) Format The file format, physical medium, or dimensions of the resource Prism Base Type The nature or genre of the resource Craft Subject The topic of the resource Nation, Character, Style Qin Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/2c3a40e6f6d380d99ea7b55432cbf3df.jpg 9c5542087c9d52724b93654064b57e8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paper Description An account of the resource Being one of the 4 great inventions in China, paper exists in everyone's daily life for centuries. Many products and crafts rely on papers. Creator An entity primarily responsible for making the resource Cai lun Date A point or period of time associated with an event in the lifecycle of the resource Han Dynasty (206 BC – 220 AD) Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. There are two methods of making paper cuttings, one is using scissors, and the other is using knives. Scissor cuttings can make several paper cuttings at one time by cutting several papers together, while knife cuttings are made on a swampy mixture of ashes and tallow, which can make only one piece at one time. Materials Objects used to create, produce or develop the item Paper Usage and Application The real-life implications or uses of the selected crafts. Paper cuttings were mainly used in regional rituals, decorations and styling. In the past, paper was cut into images of people or things such as money and clothes, which were buried with the dead or burned at funerals. This is a superstition that these things burned or buried would accompany the dead in another world. Paper cuttings were also used to decorate sacrifices. Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. In rural areas, paper cutting is traditionally a handicraft for women. In the past, every girl was supposed to master it and brides were often judged by their skills. Professional paper cutting artists are, on the other hand, usually males who earned guaranteed incomes by working in workshops. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Paper-Cuttings 剪紙 Description An account of the resource Paper-Cuttings are diversified patterns cut into red paper with scissors. Different patterns such as monkey, flowers and figures can be cut vividly and perfectly by some female artisans in rural areas. People paste paper-cuttings onto their windows and other places to express their hopes and wishes. Date A point or period of time associated with an event in the lifecycle of the resource Han Dynasty (202 BC– 220 AD) Format The file format, physical medium, or dimensions of the resource Flat, Red Type The nature or genre of the resource Craft Subject The topic of the resource Folk art, Festival, Decoration Han Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/cef6d79b3cb69afd72c930a259154e61.jpg fdb2d8d020d3b732ac5f40f527a04d39 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Metal Description An account of the resource Similar to minerals, metals are considered as abundant raw materials for crafting products. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Copper and tin would be melted to form bronze. Materials Objects used to create, produce or develop the item Bronze, Metal Usage and Application The real-life implications or uses of the selected crafts. Vessels were used to make sacrificial offerings of food to previous ancestors. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bronze Vessels 青銅器皿 Description An account of the resource Bronze Age began around 2000 B.C, Shang and Zhou dynasties. Bronze, an alloy of copper and tin, were used to fashion weapons, parts of chariots and ritual vessels. Chinese bronzes are central to Chinese civilization. The ability to manipulate metal ores to produce useful tools is one of the major steps in the development of human civilization. it was made for the elite and were associated with power. The vessels were made to serve grain and wine, which played an important role in the ritual banquets that took place in family temples or over ceremonial tombs. Date A point or period of time associated with an event in the lifecycle of the resource Shang Dynasty (1600–1046 BC) Format The file format, physical medium, or dimensions of the resource Hard, Metallic Type The nature or genre of the resource Craft Subject The topic of the resource Daily necessity, Level of technology Shang Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/222e7cb242f4fca8cdfbedb4858c356d.jpg 548fe1f9eab248b8a9f06163f2c6a0b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mineral Description An account of the resource Unearthed from the ground, minerals are some raw materials that are widely used. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Jade items were shaped with sand, cords and drills. Materials Objects used to create, produce or develop the item Jade, Mineral Usage and Application The real-life implications or uses of the selected crafts. Jade was commonly used to create accessories or decorations. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Jade 翡翠 Description An account of the resource Jade crafting were among the most precious and luxurious ones, with a history of four thousand years. Jade symbolizes merit, grace and dignity and occupies a special position in people's consciousness. It is used both to decorate rooms, and as jewelry by people hoping for a blessing. People believed that jade was the expression of the most beautiful stone. Date A point or period of time associated with an event in the lifecycle of the resource Qing Dynasty (1644 AD – 1911 AD) Format The file format, physical medium, or dimensions of the resource Hard, Smooth Type The nature or genre of the resource Craft Qing Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/e0770fdea42e60c49939c1d39919454c.jpeg bfe4e6896556832a067e8a70da45bc31 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fabric Description An account of the resource Fabric, whether it is made by wool, or silk, involves in Chinese people's everyday life. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Embroidery was created through sewing fabric of different colours. Materials Objects used to create, produce or develop the item Silk, Fabric Usage and Application The real-life implications or uses of the selected crafts. Embroidery was used as decoration of fabrics. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Embroidery 刺繡 Description An account of the resource Embroidery in this period symbolized social status. The patterns covered a larger range, from sun, moon, stars, mountains, dragons, and phoenix to tiger, flower and grass, clouds and geometric patterns. It is originated in the Zhou Dynasty (1027 – 221 BC). Date A point or period of time associated with an event in the lifecycle of the resource Zhou Dynasty (1027 – 221 BC) Format The file format, physical medium, or dimensions of the resource Flat Type The nature or genre of the resource Craft Zhou Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/1169c6c4ed1e15155d6b2ffc0a476e8e.jpeg b6b12132af321037cece683319d1a553 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mineral Description An account of the resource Unearthed from the ground, minerals are some raw materials that are widely used. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Imperial guardian lions were sculpted from large pieces of granite and marble, or cast from bronze or iron. Materials Objects used to create, produce or develop the item Marble / Granite / Stone / Bronze / Iron Usage and Application The real-life implications or uses of the selected crafts. Supposed to have mystic protective powers, it can be found in front of such places as temples, imperial palaces, government offices or in front of homes of high ranking members of society indicating their financial and/ or social status. Also, it is used as a guardian to protect those with power in society. Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. The lions are always presented in pairs, a manifestation of yin and yang, the female representing yin and the male yang. The male lion has its right front paw on a type of cloth ball simply called an "embroidered ball", which is sometimes carved with a geometric pattern. The female is essentially identical, but has a cub under the left paw, representing the cycle of life. Symbolically, the female lion protects those dwelling inside (the living soul within), while the male guards the structure (the external material elements). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Imperial Guardian Lion 石獅子 Description An account of the resource Chinese or Imperial guardian lions are a traditional Chinese architectural ornament. Date A point or period of time associated with an event in the lifecycle of the resource Han Dynasty (202 BC - 220 AD) Format The file format, physical medium, or dimensions of the resource Man-size Type The nature or genre of the resource Craft Subject The topic of the resource Protection, Architectural Ornament Han Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/27e30443766f3ee5f00148dceee43f87.jpeg bcf88abf73a85708a9ba7c679130e6cd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fabric Description An account of the resource Fabric, whether it is made by wool, or silk, involves in Chinese people's everyday life. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Most knots are double layered and symmetrical and have two cords entering the knot from the top and two leaving from the bottom. Materials Objects used to create, produce or develop the item Strings, Ropes Usage and Application The real-life implications or uses of the selected crafts. Each kind of knot is named after its shape or the symbolic meaning that it carries. People may have originally made them to record information and convey messages before people started to write. Around the times of Chinese new year festival, Chinese knot decorations can be seen hanging on walls, doors of homes and as shop decorations to add some festival feel. Usually, these decorations are in red color, which traditional Chinese regards it as a color of "luck". Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. This connotation can even be seen in Chinese words. The Chinese word for 'rope' is 'shèng' that sounds similar to the words for 'spirit,' 'divine,' and 'life.' Knots had a spiritual meaning and were used for worship. The word for 'knot' itself is 'jié' and is related to many other terms that reinforce the symbolic meaning of the knots. For example, 'tuán jié' which means 'to unite,' 'jié hūn' means 'to marry,' and 'jié guŏ' means 'bear fruit,' 'result,' or 'outcome.' So a knot given to a marriage partner or a couple means all these things and having children as well. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Knotting 中國結 Description An account of the resource A Chinese knot is a knot that is tied and woven from a single length of cord or rope to be a variety of shapes and of varying complexity. Each shape has its own symbolic meaning, and nowadays you can find them as decoration, gifts for special occasions, and adornments on clothes. Subject The topic of the resource Decoration, Blessings, Strings, Folk art Date A point or period of time associated with an event in the lifecycle of the resource Tang and Song Dynasties (960–1279 AD) Format The file format, physical medium, or dimensions of the resource Palm-sized Type The nature or genre of the resource Craft Song Dynasty Tang Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/24d14b2938270397ef4c8c11f908faad.jpg 3a2883e2cbd78283a2a0d731717ea403 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ceramic Description An account of the resource Ceramic (from clay) produces a lot of containers and tools for many ancient Chinese people. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. Generally, opera masks are made up of ceramic material. And while in blank face, the performer or perhaps a makeup artist can design or decorate the face with detailed and decorative artwork defining and enhancing more the character and thus establishes the role. Materials Objects used to create, produce or develop the item Ceramic Usage and Application The real-life implications or uses of the selected crafts. These masks are more than seemingly as added decorations. Chinese opera masks are significant in a way that they represent the performers’ or characters’ personalities, intense moods, and status quo even. Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. The acting mask is quite closely associated with the “Masquerading” dramatic play of the Tang Dynasty. As the story goes, King Lan Ling of the Northern Qi Kingdom was such a brave and courageous fighter, but his appearance was too handsome that he cannot frighten the enemy. So he would wear a carved wooden mask to lead his army into battle, and triumphed over the enemy like it was never before. The theatrical drama “King Lan Ling going to battle” of the Tang Dynasty is a depiction of King Lan Ling of the Kingdom of Northern Qi commanding his troupe to launch an attack on the enemy. The stage actors would all wear masks in the performance. Since then, acting masks started to appear in theatrical dramas. Similar opera masks can be seen by performers of Bian Lian. Bian Lian is an ancient Chinese dramatic art that is part of the more general Sichuan opera. Performers wear brightly colored costumes and move to quick, dramatic music. They also wear vividly colored masks, typically depicting well known characters from the opera, which they change from one face to another almost instantaneously with the swipe of a fan, a movement of the head, or wave of the hand. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opera Mask 面譜 Description An account of the resource The Chinese opera is one of the oldest known dramatic art forms worldwide. However, it is evident that most audience or spectators are more fascinated with the Opera masks normally used in every opera performance. Subject The topic of the resource Face, Performance, Drawings, Face-decoration Source A related resource from which the described resource is derived Beijing Opera Date A point or period of time associated with an event in the lifecycle of the resource Tang Dynasty (618-907 AD) Format The file format, physical medium, or dimensions of the resource Face sized and shaped, Colourful decoration Type The nature or genre of the resource Craft Tang Dynasty https://learning.hku.hk/ccch9051/group-64/files/original/ae1537bc0245c536a2dcccd4816db0a4.jpg d8818cdb5124495c03c30ad3b7b58463 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Other Materials Description An account of the resource Other undefined items are categorised here, such as items made of animal skins, body parts, or something intangible. Crafts An inanimate, three-dimensional object or substance that is handmade or crafted by simple tools. Crafting Methods The ways used to construct and produce crafts. The method of making traditional shuttlecocks is as follows: Rooster feathers are tied together and inserted into the square hole of a coin which is then tightly wrapped by cloth and sewn. There are different kinds of shuttlecocks, some made of rooster feathers, some of hair, some of paper strips, and some of woolen threads. Materials Objects used to create, produce or develop the item Feathers, Cloth, Wool, Paper, Coins (traditional) Usage and Application The real-life implications or uses of the selected crafts. It was believed that it was first created for the Chinese military to have an enjoyable form of exercise. The popularity of the shuttlecock spread to the common people for leisure and recreational purposes There are essentially four kicking techniques: "kicking with the inner side of the foot, with the leg bent inside; kicking with the outer side of the foot, with the leg bent outside; kicking backward with the heel; and kicking forward with the instep." Competitions are organized on the basis of the kicking technique. The traditional matches include number play, time play and variety play. Shuttlecock kicking is a good exercise for strengthening the whole body. It requires no special venue or equipment. The amount of physical exertion can vary from person to person. It is a good game for people of all age groups for improving flexibility, coordination and fitness.. Interesting Facts Origins, stories or incidents happened that are related to the item, to provide extra information and details. In the early 1970s two Americans came up with a ‘new’ game which they called Hacky-Sack. Actually inspired by Jianzi, they formed a company, trademarked the game and the little sacks/balls they manufactured with which to play it. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chinese Shuttlecock (Jianzi) 毽子 Description An account of the resource Jianzi is a traditional Chinese national sport in which players aim to keep a heavily weighted shuttlecock in the air by using their bodies, apart from the hands. Subject The topic of the resource Play, Kids, Sports Date A point or period of time associated with an event in the lifecycle of the resource Han Dynasty (206 BC – 220 AD) Relation A related resource Cuju Format The file format, physical medium, or dimensions of the resource Palm size, Colourful Type The nature or genre of the resource Craft Han Dynasty