P010 | In Search of the Tao 尋道 | Physical Object Colour | Ink painting, Chinese Landscapes |
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Type:Physical Object Colour Subject:Ink painting, Chinese Landscapes |
Description:This is an ink painting by Harold Wong Chung-fong (1943-Present). It demonstrates his signature expressive brushwork with overlapping layers of strokes in dry and wet ink. His landscapes are informed by his traditional training in Hong Kong under the painter, calligrapher and seal-carver Koo Tsin-yaw (1896-1978) and by Western approaches to observational painting. [show more]
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P030 | Kingfisher and Lotus 翠鳥荷花 | Physical Object Colour | Ink painting, Chinese Plants Flowers Lotus Animals Kingfishers |
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Type:Physical Object Colour Subject:Ink painting, Chinese Plants Flowers Lotus Animals Kingfishers |
Description:This is an ink painting by Chow Chian-chiu(1910-2006) and Chow Leung Chen-ying(1921-2005)
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P008 | Landscape 山水 | Physical Object Colour | Ink painting, Chinese Landscapes Boats and boating |
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Type:Physical Object Colour Subject:Ink painting, Chinese Landscapes Boats and boating |
Description:This is an ink painting by Fang Zhaoling (1914-2006)
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P026 | Landscape 山水 | Physical Object Black And White | Ink painting, Chinese Landscapes |
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Type:Physical Object Black And White Subject:Ink painting, Chinese Landscapes |
Description:This is an ink painting by Jao Tsung-i (1917-2018)
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P027 | Landscape 山水 | Physical Object Colour | Ink painting, Chinese Landscapes |
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Type:Physical Object Colour Subject:Ink painting, Chinese Landscapes |
Description:This is an ink painting by Ting Yin-yung (1902-1978). He stylistically explores and transforms modes established by the Yuan painter Ni Zan(1301-1374). Despite his simple, naive strokes and the beauty of the scene, the inscription 'the river is deep, and it is cold in the waterside pavilion in May' expresses a sense of desolation. [show more]
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P033 | Landscape 山水 | Physical Object Colour | Ink painting, Chinese Fan painting Landscapes |
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Type:Physical Object Colour Subject:Ink painting, Chinese Fan painting Landscapes |
Description:This is an ink painting by Liang Yuwei (1840-1913)
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P034 | Landscape 山水 | Physical Object Colour | Ink painting, Chinese Fan painting Landscapes Boats and boating |
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Type:Physical Object Colour Subject:Ink painting, Chinese Fan painting Landscapes Boats and boating |
Description:This is an ink painting by Wu Deyi (1864-1927). It depicts a boating scene. The tranquil setting conveys the refined sensibility of floating along a river in a small boat. The inscription is taken from an early Qing dynasty poem by Wu Weiye(1609-1672). [show more]
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P035 | Landscape 山水 | Physical Object Colour | Ink painting, Chinese Fan painting Landscapes Boats and boating |
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Type:Physical Object Colour Subject:Ink painting, Chinese Fan painting Landscapes Boats and boating |
Description:This is an ink painting by Wu Deyi (1864-1927). It depicts a lone figure on a boat close to shore. Despite its small size, the cliff face along the coastline appears overbearing. A two-line inscription taken from a poem by famed Tang courtesan Yu Xuanji (844-871) expresses thoughts about existing in the world while remaining untroubled by its problems. [show more]
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P002 | Landscape in Splashed Ink 潑墨山水 | Physical Object Colour | Ink painting, Chinese Art, Abstract Landscapes |
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Type:Physical Object Colour Subject:Ink painting, Chinese Art, Abstract Landscapes |
Description:This is an ink painting by Fang Zhaoling (1914-2006). The technique used is to spill the ink with a brush on the paper, and then create the picture according to the different forms that it appears.
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P025 | Landscape in the Style of Li Liufang 擬李流芳山水 | Physical Object Black And White | Ink painting, Chinese Landscapes |
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Type:Physical Object Black And White Subject:Ink painting, Chinese Landscapes |
Description:This is an ink painting by Lu Zishu (1900-1978). He created this landscape in the style of late Ming painter Li Liufang(1575-1629). The use of a 'one river, two riverbanks' composition and depictions of trees and a thatched pavilion in the foreground stems from Ni Zan's style, while the moist brushstrokes are more characteristic of Li Liufang's technique. [show more]
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