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Identifier Title Type Subject
P010In Search of the Tao
尋道
Physical Object
Colour
Ink painting, Chinese
Landscapes
Type:Physical Object
Colour
Subject:Ink painting, Chinese
Landscapes
Description:This is an ink painting by Harold Wong Chung-fong (1943-Present). It demonstrates his signature expressive brushwork with overlapping layers of strokes in dry and wet ink. His landscapes are informed by his traditional training in Hong Kong under the painter, calligrapher and seal-carver Koo Tsin-yaw (1896-1978) and by Western approaches to observational painting. [show more]
P030Kingfisher and Lotus
翠鳥荷花
Physical Object
Colour
Ink painting, Chinese
Plants
Flowers
Lotus
Animals
Kingfishers
Kingfisher and Lotus
翠鳥荷花
Type:Physical Object
Colour
Subject:Ink painting, Chinese
Plants
Flowers
Lotus
Animals
Kingfishers
Description:This is an ink painting by Chow Chian-chiu(1910-2006) and Chow Leung Chen-ying(1921-2005)
P008Landscape
山水
Physical Object
Colour
Ink painting, Chinese
Landscapes
Boats and boating
Landscape
山水
Type:Physical Object
Colour
Subject:Ink painting, Chinese
Landscapes
Boats and boating
Description:This is an ink painting by Fang Zhaoling (1914-2006)
P026Landscape
山水
Physical Object
Black And White
Ink painting, Chinese
Landscapes
Landscape
山水
Type:Physical Object
Black And White
Subject:Ink painting, Chinese
Landscapes
Description:This is an ink painting by Jao Tsung-i (1917-2018)
P027Landscape
山水
Physical Object
Colour
Ink painting, Chinese
Landscapes
Landscape
山水
Type:Physical Object
Colour
Subject:Ink painting, Chinese
Landscapes
Description:This is an ink painting by Ting Yin-yung (1902-1978). He stylistically explores and transforms modes established by the Yuan painter Ni Zan(1301-1374). Despite his simple, naive strokes and the beauty of the scene, the inscription 'the river is deep, and it is cold in the waterside pavilion in May' expresses a sense of desolation. [show more]
P033Landscape
山水
Physical Object
Colour
Ink painting, Chinese
Fan painting
Landscapes
Landscape
山水
Type:Physical Object
Colour
Subject:Ink painting, Chinese
Fan painting
Landscapes
Description:This is an ink painting by Liang Yuwei (1840-1913)
P034Landscape
山水
Physical Object
Colour
Ink painting, Chinese
Fan painting
Landscapes
Boats and boating
Landscape
山水
Type:Physical Object
Colour
Subject:Ink painting, Chinese
Fan painting
Landscapes
Boats and boating
Description:This is an ink painting by Wu Deyi (1864-1927). It depicts a boating scene. The tranquil setting conveys the refined sensibility of floating along a river in a small boat. The inscription is taken from an early Qing dynasty poem by Wu Weiye(1609-1672). [show more]
P035Landscape
山水
Physical Object
Colour
Ink painting, Chinese
Fan painting
Landscapes
Boats and boating
Landscape
山水
Type:Physical Object
Colour
Subject:Ink painting, Chinese
Fan painting
Landscapes
Boats and boating
Description:This is an ink painting by Wu Deyi (1864-1927). It depicts a lone figure on a boat close to shore. Despite its small size, the cliff face along the coastline appears overbearing. A two-line inscription taken from a poem by famed Tang courtesan Yu Xuanji (844-871) expresses thoughts about existing in the world while remaining untroubled by its problems. [show more]
P002Landscape in Splashed Ink
潑墨山水
Physical Object
Colour
Ink painting, Chinese
Art, Abstract
Landscapes
Type:Physical Object
Colour
Subject:Ink painting, Chinese
Art, Abstract
Landscapes
Description:This is an ink painting by Fang Zhaoling (1914-2006). The technique used is to spill the ink with a brush on the paper, and then create the picture according to the different forms that it appears.
P025Landscape in the Style of Li Liufang
擬李流芳山水
Physical Object
Black And White
Ink painting, Chinese
Landscapes
Type:Physical Object
Black And White
Subject:Ink painting, Chinese
Landscapes
Description:This is an ink painting by Lu Zishu (1900-1978). He created this landscape in the style of late Ming painter Li Liufang(1575-1629). The use of a 'one river, two riverbanks' composition and depictions of trees and a thatched pavilion in the foreground stems from Ni Zan's style, while the moist brushstrokes are more characteristic of Li Liufang's technique. [show more]