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                  <text>Scripts of Chinese Opera Performance</text>
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                <text>Butterfly Lovers: Leung Shanpak and Chuk Yingtoi</text>
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                <text>The Butterfly Lovers is a Chinese legend of a tragic love story of a pair of lovers, Liang Shanbo (梁山伯) and Zhu Yingtai (祝英台), whose names form the title of the story. The title is often abbreviated to Liang Zhu (梁祝). The story is now counted as one of China's Four Great Folktales, the others being the Legend of the White Snake (Baishezhuan), Lady Meng Jiang, and The Cowherd and the Weaving Maid (Niulang Zhinü).</text>
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                <text>Major Plays of Hong Kong Cantonese Opera: A Translation Project</text>
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                <text>Ng Wing Chung</text>
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              <text>Chan Ho Kau is an outstanding artist on the Cantonese Opera stage. Nurtured by her father Chan Kai-hung, she started to appreciate Cantonese Opera in her early childhood. Chan first studied at Langfong Cantonese Opera School and studied acting with Tsang Wensin. She later studied Peking opera movements with Fen Ju-hua, giving her a solid foundation in this art form.&#13;
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                <text>Chan has followed different Cantonese opera actors to learn the skills of being a 'hua dan'. She specialised in performing qing yi (married woman), hua shan (lively girl) and daoma dan (woman warrior) roles with ease and charisma, and is one of the leading female roles in Cantonese Opera.&#13;
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She showed continuous support to the Academy’s Chinese Traditional Theatre programme and expressed valuable opinions to students’ performances. In August 2018, she performed in the Cantonese Opera 'The Return of Lady Wenji'.</text>
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              <text>Peking Opera artist Cheng Yanqiu dedicated his life to advancing in Peking Opera. He spent his last years living at No. 39 in Xisi Beisantiao, Beijing. His family was originated from the Plain Yellow Banner of the Qing Dynasty. Cheng signed a seven-year contract and worked for the Rong's theatrical troupe. He was taught to act huadan and qingyi. He later met Luo Ying Gong and studied literature, calligraphy, painting, films and other art forms to improve his understanding of the Peking Opera. His singing, distinct eyesight, movements and postures gave rise to his style of performance knowns as the Cheng School of Peking Opera. </text>
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                <text>Cheng Yan Qiu began to learn Peking Opera at the age of six, first learning wusheng (actor playing a martial role) from Rong Diexian, then huadan (a role for a vivacious maiden, a young woman with a frank and open personality, or a woman of questionable character) from Chen Tongyun, and qingyi (a role usually representing a middle-aged woman who always acts as a Mrs or Miss from a noble family) from Chen Xiaoyun. </text>
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                <text>He went on stage at the age of 11 and one year later he joined other actors in performing General's Son to Be Executed, A Child Left in the Mulberry Garden and The Pavilion of Royal Monument, which earned favorable comments. He could play various roles.</text>
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Dublin Core&#13;
Title&#13;
Butterfly Lovers: Leung Shanpak and Chuk Yingtoi&#13;
Subject&#13;
Play Script&#13;
Description&#13;
The Butterfly Lovers is a Chinese legend of a tragic love story of a pair of lovers, Liang Shanbo (梁山伯) and Zhu Yingtai (祝英台), whose names form the title of the story. The title is often abbreviated to Liang Zhu (梁祝). The story is now counted as one of China's Four Great Folktales, the others being the Legend of the White Snake (Baishezhuan), Lady Meng Jiang, and The Cowherd and the Weaving Maid (Niulang Zhinü).&#13;
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Pan Yi Fan&#13;
Source&#13;
Major Plays of Hong Kong Cantonese Opera: A Translation Project&#13;
Publisher&#13;
Ng Wing Chung&#13;
Date&#13;
1955&#13;
Contributor&#13;
Cantonese Opera Development Fund</text>
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