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                  <text>There are different characters and roles in a Chinese Opera performance. Beside classify as male and female roles, roles are classified according to its emotion, personalities in the storyline as well.&#13;
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                <text>Dan - Female Role</text>
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                <text>Guimendan is an unmarried and young girl role. Her immaturity is clearly shown in her reactions. Though naughty and slightly mischievous. T, the characteristics of the role are mostly are introverted and shy.</text>
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                <text>Qingyi is the main woman roles in traditional Chinese drama. Qingyi is the most important role in Peking Opera and plays dignified, serious, and decent characters, which are mostly wives or mothers. The roles dress in yellow clothes and feature a small range of motion, and singingwith a pure and high-pitched quality.&#13;
&#13;
Mei Langfang played an important roles in shaping Peking Opera, and created a new role called Huashan, which combines the status of the Qingyi, with the sensuality of Huadan.</text>
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                <text>Pipa is a traditional Chinese instrument that is used in a lot of Chinese Operas. The earliest pipa known was found to have been made in the Qin Dynasty. </text>
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                <text>牡丹亭--游園(The Peony Pavilion) </text>
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                <text>The Peony Pavilion is a romantic tragicomedy play written by dramatist Tang Xianzu in 1598. &#13;
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                <text>Performance by Shen Fengying, Shen Guofang</text>
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                <text>Published on 11 Jan 2012</text>
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The Emperor of the Ming dynasty had just approved of his future son-in-law who won the heart of his daughter with poetry. Later, the Qing army had attacked and took over the palace. The Emperor of Ming dynasty committed suicide with his family except Princess Cheung Ping. So the new Emperor of the Qing dynasty adopted the Princess and continued with the grand wedding. &#13;
&#13;
香夭 (Fragrant Sacrifice) is the grand finale of the opera, sung on the wedding night. The Princess and her groom express their love for each other and their loyalty to the Ming dynasty, before they take their own lives, drinking poisoned wine.</text>
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              <text>Peking Opera artist Cheng Yanqiu dedicated his life to advancing in Peking Opera. He spent his last years living at No. 39 in Xisi Beisantiao, Beijing. His family was originated from the Plain Yellow Banner of the Qing Dynasty. Cheng signed a seven-year contract and worked for the Rong's theatrical troupe. He was taught to act huadan and qingyi. He later met Luo Ying Gong and studied literature, calligraphy, painting, films and other art forms to improve his understanding of the Peking Opera. His singing, distinct eyesight, movements and postures gave rise to his style of performance knowns as the Cheng School of Peking Opera. </text>
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                <text>He went on stage at the age of 11 and one year later he joined other actors in performing General's Son to Be Executed, A Child Left in the Mulberry Garden and The Pavilion of Royal Monument, which earned favorable comments. He could play various roles.</text>
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