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                <text>Cheng Yan Qiu began to learn Peking Opera at the age of six, first learning wusheng (actor playing a martial role) from Rong Diexian, then huadan (a role for a vivacious maiden, a young woman with a frank and open personality, or a woman of questionable character) from Chen Tongyun, and qingyi (a role usually representing a middle-aged woman who always acts as a Mrs or Miss from a noble family) from Chen Xiaoyun. </text>
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                <text>He went on stage at the age of 11 and one year later he joined other actors in performing General's Son to Be Executed, A Child Left in the Mulberry Garden and The Pavilion of Royal Monument, which earned favorable comments. He could play various roles.</text>
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                <text>Cheng also wrote and performed a lot of new operas since the 1920s, such as the Blue Frost Sword, An Emerald Hairpin, Lady Mei, the Dream of the Young Lady, and etc.</text>
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                  <text>There are different characters and roles in a Chinese Opera performance. Beside classify as male and female roles, roles are classified according to its emotion, personalities in the storyline as well.&#13;
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                <text>Xiaosheng is a handsome young male with no beard in Peking Opera roles. The roles sings in a high-pitched and shrill voice, with sudden breaks from his high-pitched voice to represent the voice changing period of adolescence.&#13;
&#13;
Xiaosheng can be division into Wen Xiaosheng (a young scholar) and Wu Xiaosheng (a young warrior). Depending on the role'sposition in society, the costume of the Xiaosheng may be either elaborate or simple. The feature of a young warrior is his long pheasant feathers, which rise in sweeping curves from his hat.</text>
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                <text>Wusheng actors must be good at martial arts roles. The actor performs with swords and spears wielded deftly and quickly without the attacker actually touching his opponent. There are Changkao Wusheng and Duanda Wusheng. The features of Changkao Wusheng are wearing a helmet, heavy-bottomed boots and the use of long-handled weapons. The features of Duanda Wusheng are wearing short and simple clothes and the use of short-handled weapons. Although Wusheng roles requirea highly standard of acrobatics, they must also have a natural voice when singing.</text>
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                <text>帝女花之香夭</text>
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                <text>Chinese opera; Famous; Song</text>
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                <text>帝女花之香夭(The Fragrant Death) is a famous Chinese opera piece. &#13;
&#13;
The Emperor of the Ming dynasty had just approved of his future son-in-law who won the heart of his daughter with poetry. Later, the Qing army had attacked and took over the palace. The Emperor of Ming dynasty committed suicide with his family except Princess Cheung Ping. So the new Emperor of the Qing dynasty adopted the Princess and continued with the grand wedding. &#13;
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香夭 (Fragrant Sacrifice) is the grand finale of the opera, sung on the wedding night. The Princess and her groom express their love for each other and their loyalty to the Ming dynasty, before they take their own lives, drinking poisoned wine.</text>
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                <text>Leslie Cheung and Liza Wang</text>
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                <text>the fragrant death</text>
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                <text>牡丹亭--游園(The Peony Pavilion) </text>
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                <text>Kunqu; Chinese opera</text>
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                <text>The Peony Pavilion is a romantic tragicomedy play written by dramatist Tang Xianzu in 1598. &#13;
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                <text>Performance by Shen Fengying, Shen Guofang</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Published on 11 Jan 2012</text>
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                <text>Pipa is a traditional Chinese instrument that is used in a lot of Chinese Operas. The earliest pipa known was found to have been made in the Qin Dynasty. </text>
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                <text>Qingyi is the main woman roles in traditional Chinese drama. Qingyi is the most important role in Peking Opera and plays dignified, serious, and decent characters, which are mostly wives or mothers. The roles dress in yellow clothes and feature a small range of motion, and singingwith a pure and high-pitched quality.&#13;
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Mei Langfang played an important roles in shaping Peking Opera, and created a new role called Huashan, which combines the status of the Qingyi, with the sensuality of Huadan.</text>
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