<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/24">
    <dcterms:title><![CDATA[Guimendan]]></dcterms:title>
    <dcterms:subject><![CDATA[Dan - Female Role]]></dcterms:subject>
    <dcterms:description><![CDATA[Guimendan is an unmarried and young girl role. Her immaturity is clearly shown in her reactions. Though naughty and slightly mischievous. T, the characteristics of the role are mostly are introverted and shy.]]></dcterms:description>
    <dcterms:creator><![CDATA[Chinese Opera]]></dcterms:creator>
    <dcterms:source><![CDATA[Peking Opera]]></dcterms:source>
    <dcterms:date><![CDATA[1949]]></dcterms:date>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:identifier><![CDATA[guimendan1949]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/23">
    <dcterms:title><![CDATA[Zhengdan(Qingyi)]]></dcterms:title>
    <dcterms:subject><![CDATA[Dan - Female Role]]></dcterms:subject>
    <dcterms:description><![CDATA[Qingyi is the main woman roles in traditional Chinese drama. Qingyi is the most important role in Peking Opera and plays dignified, serious, and decent characters, which are mostly wives or mothers. The roles dress in yellow clothes and feature a small range of motion, and singingwith a pure and high-pitched quality.<br />
<br />
Mei Langfang played an important roles in shaping Peking Opera, and created a new role called Huashan, which combines the status of the Qingyi, with the sensuality of Huadan.]]></dcterms:description>
    <dcterms:creator><![CDATA[Chinese Opera]]></dcterms:creator>
    <dcterms:source><![CDATA[Peking Opera]]></dcterms:source>
    <dcterms:date><![CDATA[1949]]></dcterms:date>
    <dcterms:identifier><![CDATA[Zhengdan1949]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/22">
    <dcterms:title><![CDATA[Pipa]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese traditional instrument]]></dcterms:subject>
    <dcterms:description><![CDATA[Pipa is a traditional Chinese instrument that is used in a lot of Chinese Operas. The earliest pipa known was found to have been made in the Qin Dynasty. ]]></dcterms:description>
    <dcterms:creator><![CDATA[no]]></dcterms:creator>
    <dcterms:source><![CDATA[no]]></dcterms:source>
    <dcterms:publisher><![CDATA[no]]></dcterms:publisher>
    <dcterms:date><![CDATA[no]]></dcterms:date>
    <dcterms:relation><![CDATA[Music instruments; Music]]></dcterms:relation>
    <dcterms:identifier><![CDATA[pipa]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/21">
    <dcterms:title><![CDATA[牡丹亭--游園(The Peony Pavilion) ]]></dcterms:title>
    <dcterms:subject><![CDATA[Kunqu; Chinese opera]]></dcterms:subject>
    <dcterms:description><![CDATA[The Peony Pavilion is a romantic tragicomedy play written by dramatist Tang Xianzu in 1598. <br />
It is about a maiden, Du Liniang, who falls in love with a young scholar Liu Mengmei whom she met in her dream. The maiden later felt lovesick while the dream continues to consume her. She could not recover and at last died.]]></dcterms:description>
    <dcterms:creator><![CDATA[Performance by Shen Fengying, Shen Guofang]]></dcterms:creator>
    <dcterms:source><![CDATA[FranticGrass from Youtube.com]]></dcterms:source>
    <dcterms:publisher><![CDATA[FranticGrass from Youtube.com]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published on 11 Jan 2012]]></dcterms:date>
    <dcterms:relation><![CDATA[Kunqu; Chinese opera; Peony pavilion]]></dcterms:relation>
    <dcterms:format><![CDATA[.mp4]]></dcterms:format>
    <dcterms:identifier><![CDATA[the peony pavilion]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/20">
    <dcterms:title><![CDATA[帝女花之香夭]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese opera; Famous; Song]]></dcterms:subject>
    <dcterms:description><![CDATA[帝女花之香夭(The Fragrant Death) is a famous Chinese opera piece. <br />
<br />
The Emperor of the Ming dynasty had just approved of his future son-in-law who won the heart of his daughter with poetry. Later, the Qing army had attacked and took over the palace. The Emperor of Ming dynasty committed suicide with his family except Princess Cheung Ping. So the new Emperor of the Qing dynasty adopted the Princess and continued with the grand wedding. <br />
<br />
香夭 (Fragrant Sacrifice) is the grand finale of the opera, sung on the wedding night. The Princess and her groom express their love for each other and their loyalty to the Ming dynasty, before they take their own lives, drinking poisoned wine.]]></dcterms:description>
    <dcterms:creator><![CDATA[Leslie Cheung and Liza Wang]]></dcterms:creator>
    <dcterms:source><![CDATA[Yang Motion Pictures from Youtube.com]]></dcterms:source>
    <dcterms:publisher><![CDATA[Yang Motion Pictures from Youtube.com]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published on 9 Apr 2015]]></dcterms:date>
    <dcterms:relation><![CDATA[帝女花; Chinese opera, Cantonese opera]]></dcterms:relation>
    <dcterms:format><![CDATA[.mp3]]></dcterms:format>
    <dcterms:identifier><![CDATA[the fragrant death]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/17">
    <dcterms:title><![CDATA[Wusheng]]></dcterms:title>
    <dcterms:subject><![CDATA[Sheng - Male Role]]></dcterms:subject>
    <dcterms:description><![CDATA[Wusheng actors must be good at martial arts roles. The actor performs with swords and spears wielded deftly and quickly without the attacker actually touching his opponent. There are Changkao Wusheng and Duanda Wusheng. The features of Changkao Wusheng are wearing a helmet, heavy-bottomed boots and the use of long-handled weapons. The features of Duanda Wusheng are wearing short and simple clothes and the use of short-handled weapons. Although Wusheng roles requirea highly standard of acrobatics, they must also have a natural voice when singing.]]></dcterms:description>
    <dcterms:creator><![CDATA[Chinese Opera]]></dcterms:creator>
    <dcterms:source><![CDATA[Peking Opera]]></dcterms:source>
    <dcterms:date><![CDATA[1949]]></dcterms:date>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/16">
    <dcterms:title><![CDATA[Xiaosheng]]></dcterms:title>
    <dcterms:subject><![CDATA[Sheng - Male Role]]></dcterms:subject>
    <dcterms:description><![CDATA[Xiaosheng is a handsome young male with no beard in Peking Opera roles. The roles sings in a high-pitched and shrill voice, with sudden breaks from his high-pitched voice to represent the voice changing period of adolescence.<br />
<br />
Xiaosheng can be division into Wen Xiaosheng (a young scholar) and Wu Xiaosheng (a young warrior). Depending on the role&#039;sposition in society, the costume of the Xiaosheng may be either elaborate or simple. The feature of a young warrior is his long pheasant feathers, which rise in sweeping curves from his hat.]]></dcterms:description>
    <dcterms:creator><![CDATA[Chinese Opera]]></dcterms:creator>
    <dcterms:source><![CDATA[Peking Opera]]></dcterms:source>
    <dcterms:date><![CDATA[1949]]></dcterms:date>
    <dcterms:relation><![CDATA[Dan]]></dcterms:relation>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Character]]></dcterms:type>
    <dcterms:identifier><![CDATA[Xiaosheng1949]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/14">
    <dcterms:title><![CDATA[Cheng Yan Qiu]]></dcterms:title>
    <dcterms:subject><![CDATA[Born for the Peking Opera - Cheng Yanquiu]]></dcterms:subject>
    <dcterms:description><![CDATA[Cheng Yan Qiu began to learn Peking Opera at the age of six, first learning wusheng (actor playing a martial role) from Rong Diexian, then huadan (a role for a vivacious maiden, a young woman with a frank and open personality, or a woman of questionable character) from Chen Tongyun, and qingyi (a role usually representing a middle-aged woman who always acts as a Mrs or Miss from a noble family) from Chen Xiaoyun. ]]></dcterms:description>
    <dcterms:description><![CDATA[He went on stage at the age of 11 and one year later he joined other actors in performing General&#039;s Son to Be Executed, A Child Left in the Mulberry Garden and The Pavilion of Royal Monument, which earned favorable comments. He could play various roles.]]></dcterms:description>
    <dcterms:description><![CDATA[Cheng also wrote and performed a lot of new operas since the 1920s, such as the Blue Frost Sword, An Emerald Hairpin, Lady Mei, the Dream of the Young Lady, and etc.]]></dcterms:description>
    <dcterms:creator><![CDATA[Rong Diexian]]></dcterms:creator>
    <dcterms:date><![CDATA[1904]]></dcterms:date>
    <dcterms:contributor><![CDATA[Chen Tongyun]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Chen Xiaoyun]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Mei Lan Fang]]></dcterms:contributor>
    <dcterms:rights><![CDATA[No]]></dcterms:rights>
    <dcterms:relation><![CDATA[Mei Lan Fang]]></dcterms:relation>
    <dcterms:relation><![CDATA[Shang Xiao Yun]]></dcterms:relation>
    <dcterms:relation><![CDATA[Xun Hui Sheng]]></dcterms:relation>
    <dcterms:format><![CDATA[Male]]></dcterms:format>
    <dcterms:language><![CDATA[Mandarin]]></dcterms:language>
    <dcterms:type><![CDATA[Person]]></dcterms:type>
    <dcterms:identifier><![CDATA[chengyanqiu1904]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/13">
    <dcterms:title><![CDATA[坐宮（選段）]]></dcterms:title>
    <dcterms:subject><![CDATA[Beijing opera; Zuo gong; Chinese opera]]></dcterms:subject>
    <dcterms:description><![CDATA[Zuo Gong is an excerpt from the Chinese Opera &quot;Si Lang Tan Mu&quot; (四郎探母). The story happened during the time of Song Dynasty.]]></dcterms:description>
    <dcterms:creator><![CDATA[CCTV11]]></dcterms:creator>
    <dcterms:source><![CDATA[shegiang from Youtube.com]]></dcterms:source>
    <dcterms:publisher><![CDATA[shegiang from Youtube.com]]></dcterms:publisher>
    <dcterms:date><![CDATA[Published on 9 Jun 2011]]></dcterms:date>
    <dcterms:relation><![CDATA[Beijing opera; Chinese opera]]></dcterms:relation>
    <dcterms:format><![CDATA[.mp4]]></dcterms:format>
    <dcterms:identifier><![CDATA[zuo gong]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-35/items/show/12">
    <dcterms:title><![CDATA[Mei Lan Fang]]></dcterms:title>
    <dcterms:subject><![CDATA[The King of Peking Opera - Mei Lan Fang]]></dcterms:subject>
    <dcterms:description><![CDATA[He also played an important part in continuing the performance tradition of Kūnqǔ, noted particularly for his interpretations of Dù Lìniáng (in The Peony Pavilion) and Bái Sùzhēn (in Léifēng Temple).]]></dcterms:description>
    <dcterms:description><![CDATA[<br />
Mei was the first artist to spread Beijing Opera to foreign countries, participating in cultural exchanges with Japan, the United States, and other regions. He was known to have toured the world, forming friendships with the western contemporaries of his day, including Charlie Chaplin. During his visit to Hollywood, he was also welcomed by Douglas Fairbanks and Mary Pickford.]]></dcterms:description>
    <dcterms:creator><![CDATA[Guanghe Theatre]]></dcterms:creator>
    <dcterms:date><![CDATA[1894]]></dcterms:date>
    <dcterms:contributor><![CDATA[Xiliancheng Theatrical Company]]></dcterms:contributor>
    <dcterms:rights><![CDATA[NO]]></dcterms:rights>
    <dcterms:relation><![CDATA[Shang Xiaoyun]]></dcterms:relation>
    <dcterms:relation><![CDATA[Cheng Yanqiu]]></dcterms:relation>
    <dcterms:relation><![CDATA[Xun Huisheng]]></dcterms:relation>
    <dcterms:language><![CDATA[Mandarin]]></dcterms:language>
    <dcterms:type><![CDATA[Person]]></dcterms:type>
    <dcterms:identifier><![CDATA[meilanfang1894]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
