1 10 43 https://learning.hku.hk/ccch9051/group-24/files/original/b8e8e52359456aae2d63eed986950132.png b838a5a7241b540e3adf1d9fb83c6096 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fonts Subject The topic of the resource Writing Language A language of the resource Chinese Script Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Regular Script (楷書) Description An account of the resource Regular script is also known as “uniform script” and “real script”, referring to a typeface of order. Regular script is a regular typeface directly evolved from clerical script. It turned the “silkworm head and wild goose tail” of clerical script into a flat and straight form. The word turns from being flat to square and regular. This script has remained in use until now and is the fundamental skill people must learn well in their study of calligraphy. Creator An entity primarily responsible for making the resource Eastern Han Dynasty (東漢） Publisher An entity responsible for making the resource available Creative Commons Search Language A language of the resource Chinese Date A point or period of time associated with an event in the lifecycle of the resource 151-230 CE Identifier An unambiguous reference to the resource within a given context regularscript Subject The topic of the resource Chinese Calligraphy Eastern Han Dynasty (東漢） Fonts Scripts Writing Styles Chinese Chinese Characters Type The nature or genre of the resource Script Relation A related resource Cursive Script (草书) Clerical Script (隸書) Seal Calligraphy (篆書) Running Script (行書) https://learning.hku.hk/ccch9051/group-24/files/original/47d6f5c97161d5c894f3257f830c30f6.jpg 4a17d83ae6ab7223760fe61d4806c1d7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Famous Chinese Calligraphy Pieces Language A language of the resource Chinese Type The nature or genre of the resource Physical Object Calligraphy Transcription Any written text transcribed from a sound 花氣薰人欲破禪。心情其實過中年。春來詩思何所似。八節灘頭上水船。 Translation The fragrance of flowers is so intoxicating that it threatens my Zen’s mediation. I have passed middle age. Spring comes, I should have inspirations to write poems, why am I like that…The boat is struggling upstream against the rapid water in Bā Jié Tān (八節灘). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Flowers’ Fragrance (花氣薰人帖) Subject The topic of the resource Ancient Calligraphy Chinese Calligraphy Calligraphy Masterpiece Famous Calligraphy Cursive Script (草書) Song Dynasty (宋朝) Huang Tingjian (黃庭堅) Creator An entity primarily responsible for making the resource Huang Tingjian (黃庭堅) Date A point or period of time associated with an event in the lifecycle of the resource Song Dynasty (宋朝) Relation A related resource Poem on the Hall of Pines and Wind (松風閣詩) Format The file format, physical medium, or dimensions of the resource Album leaf Ink on paper 30.7 x 43.2 cm Cursive Script (草書) 7 words in each of the 4 sentences, in 4¼ rows Language A language of the resource Chinese Type The nature or genre of the resource Calligraphy Identifier An unambiguous reference to the resource within a given context flowersfragrance Rights Information about rights held in and over the resource National Palace Museum (國立故宮博物院), Taipei (臺北市) Description An account of the resource In this piece, Tingjian wrote poems to his friend, Wang Gong (王鞏), saying that Wang Jinqing (王晉卿, 王詵) sent him written poems and keep waiting for his response by sending him flowers, but he didn't feel like writing a poem. On the other words, this poem was meant for Wang Shen as it shows that Tingjian's avoidance in responding to him. https://learning.hku.hk/ccch9051/group-24/files/original/903a7d540d039e11ed568c9cf46e2669.gif 76dc945d1c5da42f0e67a81c5c33061f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Famous Chinese Calligraphy Pieces Language A language of the resource Chinese Type The nature or genre of the resource Physical Object Calligraphy Transcription Any written text transcribed from a sound 依山築閣見平川， 夜闌箕鬥插屋椽。 我來名之意適然。 老松魁梧數百年， 斧斤所赦今參天。 風鳴媧皇五十弦， 洗耳不須菩薩泉。 嘉二三子甚好賢， 力貧買酒醉此筵。 夜雨鳴廊到曉懸， 相看不歸臥僧氈。 泉枯石燥復潺湲， 山川光輝為我妍。 野僧旱饑不能饘， 曉見寒溪有炊煙。 東坡道人已沈泉， 張侯何時到眼前。 釣臺驚濤可晝眠， 怡亭看篆蛟龍纏。 安得此身脫拘攣， 舟載諸友長周旋。 Translation Next to a mountain was raised a hall that surveys a level stream, Late at night Sieve and Dipper stick between the rafters; I came and named it, the meaning is appropriate. Ancient pines of gigantic stature, hundreds of years old, Those spared the woodcutter’s ax today reach to heaven. The wind sounds on Queen Wa’s fifty strings, To wash ears you don't need Bodhisattva Spring. Two or three excellent masters, truly admirable Worthies, Strength exhausted, buying wine, drunk on this mat. Night rain sounds along the covered walkways, hanging until dawn. Mutually looking, not returning, reclining on a monk’s felt blanket. A dry spring, parched rocks again have water flowing; The luminosity of mountains and rivers are our beauty. Wilderness monks amid drought and famine, cannot [eat] congee, At dawn seeing that Cold Stream has blowing mist. Dongpo, a man of Dao, has already sunk to the springs, When will Marquis Zhang arrive before my eyes? When Fishing Platform is washed with waves, you sleep through the day. At Leisure Pavilion looking at seal scripts, dragons tangle. How can this life avoid being seized and bound? Boats carry many friends on long, revolving journeys. (Murck, 2000) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poem on the Hall of Pines and Wind (松風閣詩) Subject The topic of the resource Ancient Calligraphy Chinese Calligraphy Calligraphy Masterpiece Famous Calligraphy Running Script (行書) Song Dynasty (宋朝) Huang Tingjian (黃庭堅) Creator An entity primarily responsible for making the resource Huang Tingjian (黃庭堅) Date A point or period of time associated with an event in the lifecycle of the resource Song Dynasty (宋朝) Language A language of the resource Chinese Type The nature or genre of the resource Calligraphy Identifier An unambiguous reference to the resource within a given context hallofpinesandwind Relation A related resource Flowers’ Fragrance (花氣薰人帖) Rights Information about rights held in and over the resource National Palace Museum (國立故宮博物院), Taipei (臺北市) Format The file format, physical medium, or dimensions of the resource Album leaf Ink on paper 30.7 x 43.2 cm Running script (行書) Spatial Coverage Spatial characteristics of the resource. The poem narrates a passage from a trip to the Wuchang Western Hills. Description An account of the resource "Poem on the Hall of Pines and Wind (松風閣詩)" express Huang Tingjian (黃庭堅)'s melancholy within his joyfulness. At first, he depicts the beautiful scenery of the Hall of Pines and Wind. Then he shows his sadness towards his friends including Su Shi (蘇軾), that had been passed away, could have been sharing the same enjoyment of the scenery until he finally could free himself from that situation. https://learning.hku.hk/ccch9051/group-24/files/original/02aadaad1a8426e424ac126631815ce0.jpg 4a704199b2e2e83e884e852f2c6b79ec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Famous Chinese Calligraphy Pieces Language A language of the resource Chinese Type The nature or genre of the resource Physical Object Calligraphy Transcription Any written text transcribed from a sound 依釋文：擬古。青松勁挺姿。凌霄恥屈盤。種種出枝葉。牽連上松端。秋花起絳烟。旖旎雲錦殷。不羞不自立。舒光射丸丸。柏見吐子效。鶴疑縮頸還。青松本無華。安得保歲寒。 龜鶴年壽齊。羽介所託殊。種種是靈物。相得忘形軀。鶴有沖霄心。龜厭曳尾居。以竹兩附口。相將上雲衢。報汝慎勿語。一語墮泥塗。吳江垂虹亭作。斷雲一片洞庭帆。 玉破鱸魚霜（旁改作金）破柑。好作新詩繼桑苧。垂虹秋色滿東南。泛泛五湖霜氣清。漫漫不辨水天形。何須織女支機石。且戲嫦娥稱客星。時為湖州之行。入境寄集賢林舍人。 揚帆載月遠相過。佳氣蔥蔥聽誦歌。路不拾遺知政肅。野多滯穗是時和。天分秋暑資吟興。晴獻溪山入醉哦。便捉蟾蜍共研墨。綵牋書盡剪江波。重九會郡樓。山清氣爽九秋天。 黃菊紅茱滿泛船。千里結言寧有後。群賢畢至猥居前。杜郎閑客今焉是。謝守風流古所傳。獨把秋英緣底事。老來情味向詩偏。和林公硯山之作。皎皎中天月。團團徑千里。震澤乃一水。 所占已過二。娑羅即峴山。謬云形大地。地惟東吳偏。山水古佳麗。中有皎皎人。瓊衣玉為餌。位維列仙長。學與千年對。幽操久獨處。迢迢願招類。金颸帶秋威。欻逐雲檣至。 朝隮輿馭飈。暮返光浮袂。雲盲有風駈。蟾餮有刀利。亭亭太陰宮。無乃瞻星氣。興深夷險一。理洞軒裳偽。紛紛夸俗勞。坦坦忘懷易。浩浩將我行。蠢蠢須公起。送王渙之彥舟。 集英春殿鳴梢歇。神武天臨光下澈。鴻臚初唱第一聲。白面王郎年十八。神武樂育天下造。不使敲枰使傳道。衣錦東南第一州。棘壁湖山兩清（清點去）照。襄陽野老漁竿客。 不愛紛華愛泉石。相逢不約約無逆。輿 握古書同岸幘。淫朋嬖黨初相慕。濯髮洒心求易慮。翩翩遼鶴雲中侶。土苴尫鴟那一顧。邇（業點去）來器業何深至。湛湛具區無底沚。 可憐一點終不易。枉駕殷勤尋漫仕。漫仕平生四方走。多與英才並肩肘。少有俳辭能罵鬼。老學鴟夷漫存口。一官聊具三徑資。取捨殊塗莫迴首。元祐戊辰。九月廿三日。溪堂米黻記。 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource On Sichuan Silk (蜀素帖) Subject The topic of the resource Ancient Calligraphy Chinese Calligraphy Calligraphy Masterpiece Famous Calligraphy Running Script (行書) Song Dynasty (宋朝) Mi Fu (米芾) Description An account of the resource The handscroll made of Sichuan silk was made during the reign of Emperor Zhezong. The type of the silk was specially made for calligraphy since both top and bottom grid lines were woven into a scroll with the vertical ones drawn in ink. None of the renowned calligraphers at that time were confident enough to write on such materials because it needed perfect skills. Finally, Mi Fu consented to write the eight poems in running script on it. Creator An entity primarily responsible for making the resource Mi Fu (米芾) Date A point or period of time associated with an event in the lifecycle of the resource Song Dynasty (宋朝) Rights Information about rights held in and over the resource National Palace Museum (國立故宮博物院), Taipei (臺北市) Relation A related resource Poems in Wuzi's Boat (吳江舟中詩) The Coral Tree (珊瑚帖) Poem on the Hall of Pines and Wind (松風閣詩) Format The file format, physical medium, or dimensions of the resource Handscroll Ink on silk 27.8 x 270.8 cm Running script (行書) 658 characters in 71 lines Language A language of the resource Chinese Type The nature or genre of the resource Calligraphy Identifier An unambiguous reference to the resource within a given context onsichuansilk https://learning.hku.hk/ccch9051/group-24/files/original/4336cfee790e3a0e8dbbaf1cb0df2c68.jpg 710493b0083596eb42952723acf6d072 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Famous Chinese Calligraphy Pieces Language A language of the resource Chinese Type The nature or genre of the resource Physical Object Calligraphy Transcription Any written text transcribed from a sound 釋文： 壬戌之秋，七月既望，蘇子與客泛舟遊於赤壁之下。清風徐來，水波不興。舉酒屬客，誦明月之詩，歌窈窕之章。少焉，月出於東山之上，徘徊於鬥牛之間。白露橫江，水光接天。 縱一葦之所如，陵萬頃之茫然。浩浩乎如馮虛禦風，而不知其所止；飄飄乎如遺世獨立，羽化而登仙。 於是飲酒樂甚，扣舷而歌之。歌曰：“桂棹兮蘭槳，擊空明兮溯流光。渺渺兮余懷，望美人兮天一方。”客有吹洞簫者，倚歌而和之。其聲嗚嗚然，如怨如慕，如泣如訴，余音嫋嫋，不絕如縷。 舞幽壑之潛蛟，泣孤舟之嫠婦。　 蘇子愀然，正襟危坐，而問客曰：“何為其然也？”客曰：“‘月明星稀，烏鵲南飛’，此非曹孟德之詩乎？西望夏口，東望武昌。山川相繆，郁乎蒼蒼，此非孟德之困於周郎者乎？ 方其破荊州，下江陵，順流而東也， 艫千裏，旌旗蔽空，釃酒臨江，橫槊賦詩，固一世之雄也，而今安在哉？況吾與子漁樵於江渚之上，侶魚蝦而友麋鹿，駕一葉之扁舟，舉匏樽以相屬。 寄蜉蝣於天地，渺浮海之一粟。哀吾生之須臾，羨長江之無窮。挾飛仙以遨遊，抱明月而長終。知不可乎驟得，托遺響於悲風。”　 蘇子曰：“客亦知夫水與月乎？逝者如斯，而未嘗往也；盈虛者如彼，而卒莫消長也。蓋將自其變者而觀之，則天地曾不能以一瞬；自其不變者而觀之，則物與我皆無盡也，而又何羨乎？ 且夫天地之間，物各有主，茍非吾之所有，雖一毫而莫取。惟江上之清風，與山間之明月，耳得之而為聲，目遇之而成色，取之無禁，用之不竭，是造物者之無盡藏也，而吾與子之所共食。” 客喜而笑，洗盞更平酌。肴核既盡，杯盤狼籍。相與枕藉乎舟中，不知東方之既白。 軾去歲作此賦，未嘗輕出以示人。見者蓋一二人而已。欽之有使至，求近文，遂親書以寄。多難畏事，欽之愛我，必深藏之不出也。又有後赤璧賦，筆倦未能寫。當俟後信。軾白。 Translation It was the 7th month in the autumn of the year Ren Xu when the full moon was just a little on the wane, I, Su Shi, went boating with my friends in the river near the Red Cliff. A fresh cool breeze was blowing, too gentle to ripple the water. Raising my cup, I toasted my friends, recited and chanted the verses on the Bright Moon from Classic of Poetry (Shijing 詩經). A little later, the moon rose from behind the eastern mountain and began to roam between the Southern Dipper and the Ox (Altair). White mist heaped up across the river, and the moonlight stretched far into the horizon to merge with the hues of the sky. Like a piece of reed, our boat drifted on a boundless expanse of water, so vast that we felt as if we were riding in the wind, not knowing when to come to a halt. We felt so ethereal as if we were ascending into heaven and becoming winged immortal. “Oh, the oars and paddles made from the timber of Artocarpus (桂木) and Magnolia (玉蘭), splashing in the clear water, and the boat sailing up the moonlit river. Unbound is my mind, longing for the virtuous man in my heart who is beyond the remote horizon.” A Xiao (flute) player among the friends accompanied the verse. The music kept streaming out and lingering in the air, so melancholic that it sounds like a continuous sigh of sorrow or like a ceaseless weep with grief. The lingering sound was as unbroken as silk, capable of enticing a dragon perched in a deep abyss to rise and dance, or making a widow in a solitary boat to weep. Sitting up, I, Su Shi in a serious tone, asked the player, “Why is the music so sombrely stirring” The friend replied, “‘The moon is bright, the stars are sparse, the crows are flying south.” Isn’t this the poem of Cao Mengde? The place we have now reached faces Xiakou to the West and Wuchang to the East, and is heavily enshrouded by verdant mountains and stretching water. Isn’t this where Cao Mengde was besieged by Zhou Yu? At that time Cao took Jingzhou, seized Jiangling, and then rolled eastward down the Yangtze River in warships chained up for over a thousand miles, with flags and pennant flaunting in defiance of the vast open skies. Cao drank with pleasure before the river and composed his poems with his lance resting on his lap. Cao was indeed a hero for his generation but where is he now? You and I are fishing in the river, gathering firewood in the islet, with fish and shrimp as our companions and milu (deer) as our friends, and riding a boat while drinking from our simple gourd cups. We are like mayflies wandering in this terrestrial world or a grain of millet drifting on a deep ocean. What a short life span we have, yet how endless the Yangtze River is! I wish we could travel with flying immortals in heaven or hold the bright moon in my arms through eternity. I know this is not something easily obtainable and therefore I can only leave the melancholy (flute) music to the desolate (autumn) wind.” I, Su Shi commented, “Do you happen to know the nature of water or the moon? Water is always on the run like this, but never lost in its course; the moon always waxes and wanes like that, but never out of its sphere. When viewed from a changing perspective, the universe can hardly be the same even within a blink of an eye, But when looked at from an unchanging perspective, everything conserves itself, and so do we. Therefore, what’s in them to be admired? Besides, in this universe, everything has its rightful owner. If something does not belong to you, then you shall not even have a bit of it. Only the refreshing breeze on the river and the bright moon over the hills are an exception. If you can hear it, it is a sound to you; if you can see it, it is a view to you. It never ends and is never exhausted. It is the infinite treasure granted to us by our Creator for both of us to enjoy.” My friends were gladdened and smiled. We had our cups rinsed and refilled. Soon all the dishes and fruits were gone With plates and cups left scattered all over, we leaned against each other and felt asleep right in the boat, unaware that it was dawning in the east. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ode to the Red Cliff (赤壁賦) Subject The topic of the resource Ancient Calligraphy Chinese Calligraphy Calligraphy Masterpiece Famous Calligraphy Regular Script (楷書) Song Dynasty (宋朝) Su Shi (蘇軾) Creator An entity primarily responsible for making the resource Su Shi (蘇軾) Date A point or period of time associated with an event in the lifecycle of the resource Song Dynasty (宋朝) Contributor An entity responsible for making contributions to the resource Fu Yaoyu (傅堯俞) Relation A related resource The Cold Food Observance (寒食帖) Language A language of the resource Chinese Type The nature or genre of the resource Calligraphy Identifier An unambiguous reference to the resource within a given context odetotheredcliff Spatial Coverage Spatial characteristics of the resource. The poem describes Su Shi and friends' trip to the Red Nose Cliff (赤鼻磯) west of the town Huangzhou (黃州). Description An account of the resource Su Shi (蘇軾) and his friends was traveling to Red Nose Cliff (赤鼻磯) in the west of Huangzhou (黃州). Su then wrote these two poems called "Ode to the Red Cliff (赤壁賦)" to recall the Battle of Red Cliff (Battle of Chibi 赤壁之戰) back in 208 CE. depicted the bravery of great historical figures, hypocritical nature of people and his philosophical views. Later, the place was known as "Dongpo's Red Cliff". Format The file format, physical medium, or dimensions of the resource Handscroll Ink on paper 23.9 x 258 cm Regular script (楷書) Rights Information about rights held in and over the resource National Palace Museum (國立故宮博物院), Taipei (臺北市) https://learning.hku.hk/ccch9051/group-24/files/original/1c028cf9176d407df268956e5c86de76.jpg fa9ea0bdf88b547b1bb8d1c0e2a61b99 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Famous Chinese Calligraphy Pieces Language A language of the resource Chinese Type The nature or genre of the resource Physical Object Calligraphy Transcription Any written text transcribed from a sound 自我來黃州 已過三寒食 年年欲惜春 春去不容惜 今年又苦雨 兩月秋蕭瑟 臥聞海棠花 泥汙燕支雪 闇中偷負去 夜半真有力 何殊病少年 病起頭已白 春江欲入戶 雨勢來不已 小屋如漁舟 濛濛水雲裏 空庖煮寒菜 破竈燒溼葦 那知是寒食 但見烏銜紙 君門深九重 墳墓在萬里 也擬哭塗窮 死灰吹不起 右黃州寒食詩帖二首。 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Cold Food Observance (寒食帖) Subject The topic of the resource Ancient Calligraphy Chinese Calligraphy Calligraphy Masterpiece Famous Calligraphy Running Script (行書） Song Dynasty (宋朝) Su Shi (蘇軾) Description An account of the resource The creator of this piece of calligraphy, Su Shi, was accused of literary slander and banished to Huangzhou (黃州) when he wrote this piece of calligraphy. He created this piece during his 3rd year of exile, during the Han Shi Festival (literally Cold Food Festival), expressing his feelings of loneliness and melancholy. This is a piece that combined poetry with calligraphy. It was written by Su Shi when he was in political trouble and demoted and dispatched to serve as a minor official in Huangzhou. The bleak weather and the Hanzi Festival only added to his melancholy. The strong emotions underlying the piece are comparable to the feeling embodied in the Wang Xizhi's Lanting Xu (蘭亭序) and the Yan Zhenqing's Draft of a Requiem to My Nephew (祭侄文稿). Hanshi Festival (寒食節) is an ancient traditional Chinese festival celebrated for three consecutive days starting the day before the Qingming Festival (清明節) which falls on 4 or 5 April. Creator An entity primarily responsible for making the resource Su Shi (蘇軾) Date A point or period of time associated with an event in the lifecycle of the resource Song Dynasty (宋朝) Rights Information about rights held in and over the resource National Palace Museum (國立故宮博物院), Taipei (臺北市) Format The file format, physical medium, or dimensions of the resource Handscroll Ink on paper 34.2 x 199.5 cm Running Script (行書） Language A language of the resource Chinese Identifier An unambiguous reference to the resource within a given context thecoldfoodobservance Type The nature or genre of the resource Calligraphy Relation A related resource Ode to the Red Cliff (赤壁賦) https://learning.hku.hk/ccch9051/group-24/files/original/064da8aa2f9f1a4bc4b99cda0fa6aa80.jpg c7b0a6df5a61a4483944726b6d297f93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ink Description An account of the resource Ink that is used to write Chinese calligraphy. Type The nature or genre of the resource Physical Object Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Liquid Ink (墨汁） Subject The topic of the resource Chinese Calligraphy Writing Tools Calligraphy Tools Ink Liquid Ink Description An account of the resource Liquid Ink is a type of ink that was invented in the 19th century, and can be used directly without an ink stone. This is usually used by beginners as it is more convenient and easy to use. The inventor of liquid ink, Taguchi Seiji, was a teacher from Japan, and in order to motivate young children to practice calligraphy, he invented liquid ink in order to make writing easier and more convenient. Format The file format, physical medium, or dimensions of the resource Liquid Plastic Container Black Type The nature or genre of the resource Physical Object Creator An entity primarily responsible for making the resource Taguchi Seiji (田口精爾) Kaimei & Co. Ltd Date A point or period of time associated with an event in the lifecycle of the resource 1898 Identifier An unambiguous reference to the resource within a given context liquidink Relation A related resource Pine Soot Ink (松煙墨） Oil Soot Ink (油煙墨） https://learning.hku.hk/ccch9051/group-24/files/original/c3e0825ffefabdd8896fe5ccc55d6462.jpg 6f0ad11afb4e6fb5dd8d8dfa162230f9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Application of Chinese Calligraphy in Daily Life Subject The topic of the resource Chinese Calligraphy Daily Life Description An account of the resource Other than being admired as an art, Chinese calligraphy is also applied in the daily life of Chinese in many different aspects, integrated into their transportation, festival, business, personal expression, and decorations. Relation A related resource Chineses Calligraphy in Art Chineses Calligraphy in Education Language A language of the resource Chinese English Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tsang Tsou Choi's Calligraphy Graffiti (曾灶財街頭文字塗鴉) Subject The topic of the resource Chinese Calligraphy Art Decoration Wall Art Inscriptions Mural Tsang Tsou Choi Kowloon Emperor Description An account of the resource Tsang Tsou Choi, who named himself and widely known as the "Kowloon Emperor", is a street graffiti in Hong Kong. He creates graffiti creations of Chinese characters written with a brush on public walls on the stories. It tells the story of oneself and the family's past deeds, and "declares" the "sovereignty" of Kowloon. Date A point or period of time associated with an event in the lifecycle of the resource 1956 - 2007 Format The file format, physical medium, or dimensions of the resource Wall Paint Lampposts Utility boxes Pillars Pavements Street Furniture Language A language of the resource Chinese Type The nature or genre of the resource Calligraphy Creator An entity primarily responsible for making the resource Tsang Tsou Choi (曾灶財) Identifier An unambiguous reference to the resource within a given context tsangtsouchoicalligraphygraffiti Spatial Coverage Spatial characteristics of the resource. His works could be found mostly arround Kowloon, for example Kwun Tong, Tsim Sha Tsui Star Ferry Pier, Ping She Estate, Tsui Ping Estate, etc., as well as Hong Kong Island, Central, and the Western District outside Kowloon. Nowadays, the only ones of his works perserved are in Tsim Sha Tsui Star Ferry Pier and the bottom of the junction of Sau Mau Ping Road and Shun On Road. https://learning.hku.hk/ccch9051/group-24/files/original/95a8fbd235ca9514a62a8e4f3b856f15.jpg 09131b4a6af4d65b90a8a297052931fe https://learning.hku.hk/ccch9051/group-24/files/original/20925a2e459d844d0592b92075bbe74b.png 6816dab6dd38c5ee4be22331811e9920 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Famous Chinese Calligraphy Pieces Language A language of the resource Chinese Type The nature or genre of the resource Physical Object Calligraphy Transcription Any written text transcribed from a sound 永和九年，歲在癸丑，暮春之初，會於會稽山陰之蘭亭，修禊事也。群賢畢至，少長咸集。此地有崇山峻領，茂林修竹；又有清流激湍，映帶左右，引以為流觴曲水，列坐其次。雖無絲竹管弦之盛，一觴一詠，亦足以暢敘幽情。是日也，天朗氣清，惠風和暢，仰觀宇宙之大，俯察品類之盛，所以游目騁懷，足以極視聽之娛，信可樂也。 夫人之相與，俯仰一世，或取諸懷抱，悟言一室之內；或因寄所托，放浪形骸之外。雖趣舍萬殊，靜躁不同，當其欣於所遇，暫得於己，怏然自足，不知老之將至。及其所之既倦，情隨事遷，感慨系之矣。向之所欣，俯仰之間，以為陳跡，猶不能不以之興懷。況修短隨化，終期於盡。古人雲：“死生亦大矣。” 豈不痛哉！ 每覽昔人興感之由，若合一契，未嘗不臨文嗟悼，不能喻之於懷。固知一死生為虛誕，齊彭殤為妄作。後之視今，亦猶今之視昔。悲夫！故列敘時人，錄其所述，雖世殊事異，所以興懷，其致一也。後之攬者，亦將有感於斯文。 Translation On this late spring day, the ninth year of Yonghe (AD 353), we gathered at the Orchid Pavilion in Shaoxing to observe the Spring Purification Festival. All of the prominent people were there, from old to young. High mountains and luxuriant bamboo groves lie in the back; a limpid, swift stream gurgles around, which reflected the sunlight as it flowed past either side of the pavilion. We sat by the water, sharing wine from a floating goblet while chanting poems, which gave us delight in spite of the absence of musical accompaniment. This is a sunny day with a gentle valley breeze. Spreading before the eye is the beauty of nature, and hanging high is the immeasurable universe. This is perfect for an aspired mind. What a joy. Though born with different personalities - some give vent to their sentiment in a quiet chat while others repose their aspiration in Bohemianism - people find pleasure in what they pursue and never feel tired of it. Sometimes they pause to recall the days lapsed away. Realizing that what fascinated yesterday is a mere memory today, not to mention that everyone will return to nothingness, an unsuppressible sorrow would well up. Isn't it sad to think of it? I am often moved by ancients' sentimental lines which lamented the swiftness and uncertainty of life. When future generations look back to my time, it will probably be similar to how I now think of the past. What a shame! Therefore, when I list out the people that were here, and record their musings, even though times and circumstances will change, as for the things that we regret, they are the same. For the people who read this in future generations, perhaps you will likewise be moved by my words. Materials Cocoon paper Weasel-whisker brush Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Preface to the Poems Composed at the Orchid Pavilion (蘭亭集序) Creator An entity primarily responsible for making the resource Wang Xizhi (王羲之) Subject The topic of the resource Ancient Calligraphy Chinese Calligraphy Calligraphy Masterpiece Famous Calligraphy Running script (行書) Jin Dynasty (晉朝) Wang Xizhi (王羲之) Date A point or period of time associated with an event in the lifecycle of the resource Jin Dynasty (晉朝) Relation A related resource Spring Purification Festival (上巳節) Orchid Pavilion (蘭亭集) Timely Clearing After Snowfall (快雪時晴帖) Three Passages: Ping-an, He-ru, and Feng-ju (平安何如奉橘三帖) Language A language of the resource Chinese Type The nature or genre of the resource Calligraphy Identifier An unambiguous reference to the resource within a given context lantingxu Format The file format, physical medium, or dimensions of the resource Running script (行書) 324 characters in 28 columns Description An account of the resource Preface to the Poems Composed at the Orchid Pavilion (蘭亭集序) or known as ‘Lanting Xu’, is the most notable piece that was self-composed and handwritten by Wang Xizhi (王羲之). Before Xizhi’s official retirement as a governor on 353 CE, he invited more than 40 literary figures to compose poems while enjoying wine during Spring Purification Festival (上巳節) at the Orchid Pavilion (Lanting) near the town Shaoxing, Zhejiang. The gathering was later depicted by Xizhi using his “Running Script (行書)” handwriting style and served as the preface to the collection of these poems. Even though the original manuscript is gone, the art had been highly appreciated through generations that several finely traced copies and rubbings are still well-preserved. Spatial Coverage Spatial characteristics of the resource. This piece of work is a preface written to the Poems composed at the Orchid Pavilion in Shaoxing to observe the Spring Purification Festival. https://learning.hku.hk/ccch9051/group-24/files/original/390d0f57b21cd110a0c91f268950ed5b.jpg f9c6b1a1523747c97a99bc2733ff1591 https://learning.hku.hk/ccch9051/group-24/files/original/039f33958cbaa811db554a02067b9d9f.jpg 3599e13a99259cd9d0d9d7c0e76faf52 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Famous Chinese Calligraphy Pieces Language A language of the resource Chinese Type The nature or genre of the resource Physical Object Calligraphy Transcription Any written text transcribed from a sound 羲之頓首 快雪時晴 佳想安善 未果為结 力不次 王羲之頓首 山陰張侯 Translation There was a snowstorm, but now, the sun is out. I am missing you, I wonder if you are doing well? However, I won't be able to meet you, making my heart ache and filled with regret. When, will we be able to meet? Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timely Clearing After Snowfall (快雪時晴帖) Sunny After Snow Subject The topic of the resource Ancient Calligraphy Chinese Calligraphy Calligraphy Masterpiece Famous Calligraphy Running Script (行書) Jin dynasty (晉朝) Wang Xizhi (王羲之) The Three Treasures Hall (三希堂) Description An account of the resource In this short letter written in running script, Wang Xizhi sent a greeting to a friend after a snowfall. In the piece, much of the brushwork appears round and blunt, the dots and hooked strokes not revealing the tip of the brush. The characters are even and balanced, revealing a straightforward elegance and introverted harmony. This artwork is included in The Three Treasures Hall (三希堂) and influenced Zhao Mengfu (趙孟頫)'s Colophon (題跋). Creator An entity primarily responsible for making the resource Wang Xizhi (王羲之) Relation A related resource Colophon (題跋) Preface to the Poems Composed at the Orchid Pavilion (蘭亭集序) Three Passages: Ping-an, He-ru, and Feng-ju (平安何如奉橘三帖) Mid-Autumn (中秋帖) A Letter to Boyuan (伯遠帖) Format The file format, physical medium, or dimensions of the resource Album leaf Ink on paper 23 x 14.8 cm Running script (行書) 28 characters in 4 rows Language A language of the resource Chinese Type The nature or genre of the resource Calligraphy Identifier An unambiguous reference to the resource within a given context timelyclearingaftersnowfall Rights Information about rights held in and over the resource National Palace Museum (國立故宮博物院), Taipei (臺北市) Spatial Coverage Spatial characteristics of the resource. This is a letter sent by Wang Xizhi to a friend, Zhang Hou, in Sanin. Date A point or period of time associated with an event in the lifecycle of the resource Jin Dynasty (晉朝)