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                <text>A brush that is made with goat hair, which is softer and has less flexibility.  Goat hair brushes usually absorb ink easily and are used to write rounded and thick words. This kind of brush is also more long-lasting compared to other types of harder brushes.&#13;
&#13;
Goat hair brushes were said to origin from the Northern and Southern Dynasties and were made out of a goat's tail or chin hair. Goat hair brushes were not properly used until the Southern Song Dynasty, and were not popularised until the Qing Dynasty. This is because ancient calligraphers preferred a strong and powerful stroke, while brushes made out of goat hair were too soft to achieve this. It wasn't until the Qing Dynasty where people valued more rounded and subtle styles did the goat hair brush come into wide use.</text>
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                <text>When using a new brush, use a finger to softly rub the tip of the brush to separate the bristles. Soak 3/4 of the brush in warm water for 3-5 minutes.</text>
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                <text>Before starting to write, wet the brush with water, and dry it with some paper, then hang it on a brush holder to dry  for about 7-10 minutes.</text>
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                <text>Make sure that the brush is not completely dry when writing, leave some moisture in it to make sure it mixes well with the ink.</text>
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                <text>After using the brush, wash it immediately with water and tidy the bristles with the current of the water. Make sure not to use soap as it contains chemicals which can damage the brush. It is important to wash the brush immediately as the ink can dry, making it difficult to wash it off later, and damaging the brush.</text>
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                <text>After washing the brush and drying it, hang it on a brush holder within a dry environment, avoiding the sun's direct contact.</text>
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                <text>When opening a new brush, the brush cap that comes along with it can be disposed and should not be reused when storing the brush. This is because putting the cap back on the brush can damage the bristles on the brush.</text>
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                <text>Mixed Hair Brush (兼毫筆）</text>
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                <text>A mixed hair brush is usually made with a mixture of soft and hard animal hairs. The ratio between soft and hard hairs can vary, for example 3:7 or 5:5. The most commonly used soft hairs are goat hair, while weasel hair and rabbit hair will sometimes be used for hard hair. The softness and flexibility of a mixed hair brush is between that of the weasel hair and goat hair brush, which makes it easier for beginners to use. Very often, the hard hair would be placed at the center of the brush while the soft hair surrounds it.</text>
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                <text>When using a new brush, use a finger to softly rub the tip of the brush to separate the bristles. Soak 3/4 of the brush in warm water for 3-5 minutes.</text>
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                <text>After using the brush, wash it immediately with water and tidy the bristles with the current of the water. Make sure not to use soap as it contains chemicals which can damage the brush. It is important to wash the brush immediately as the ink can dry, making it difficult to wash it off later, and damaging the brush.</text>
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                <text>Weasel Hair Brush (狼毫筆）</text>
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                <text>These brushes are made of weasel hair and are generally harder and have greater flexibility. Weasel hair brushes are usually yellow in colour, sometimes with a reddish tint, and comes with a glossy texture. Brushes made out of weasel hair from Dongbei (東北) are said to be the most valuable.&#13;
&#13;
It was said that these brushes were actually made out of wolf hair (狼毛) in the past, instead of weasel hair (黃鼠狼毛).</text>
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                <text>Mao Jin (毛晉)</text>
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                <text>Bamboo paper was produced in Jiangxi towards the end of the Ming Dynasty, and was used for writing as well as printing books. In the Ming Dynasty, there was an avid book collector called Mao Jin (毛晉) who once went to Jiangxi and ordered large amounts of this kind of bamboo paper, and used it for printing books. He stamped his surname Mao (毛) on the paper, and sold books made out of this bamboo paper, and it has been called Mao Bian paper ever since. Before him, books were usually printed on paper made out of cotton, and were much more expensive, and difficult for the general public to afford.</text>
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                <text>Sheng Xuan is a type of Xuan paper that is usually not processed, and has high ink absorbance abilities and has high flexibility. It is difficult for beginners to use Sheng Xuan paper because the ink is absorbed quickly, causing it to blur. Sheng Xuan Paper is often used for Xieyi (寫意) - a traditional type of Chinese painting - as well as writing scripts like semi-cursive (行書) and cursive (草書) (which usually have more flexibility and personal style).</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Xuan paper was first mentioned in the ancient Chinese book "New Book of Tang" (新唐書). It was originally produced in the Tang dynasty in Jing County, which was under the jurisdiction of Xuan Prefecture (Xuanzhou), hence the name Xuan paper.</text>
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                <text>Shu Xuan paper, has Potassium alum worked into it during production, which results in a stiffer texture, a reduced ability to absorb water, and less resistance to shear stress (meaning that it can be torn much more easily). Shu Xuan Paper is usually used to write smaller sized calligraphy which requires more accuracy and neatness. </text>
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                <text>Xuan paper was first mentioned in the ancient Chinese book "New Book of Tang" (新唐書). It was originally produced in the Tang dynasty in Jing County, which was under the jurisdiction of Xuan Prefecture (Xuanzhou), hence the name Xuan paper.</text>
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              <description>A name given to the resource</description>
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                  <text>Ink that is used to write Chinese calligraphy.</text>
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              <description>The nature or genre of the resource</description>
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                <text>Liquid Ink is a type of ink that was invented in the 19th century, and can be used directly without an ink stone. This is usually used by beginners as it is more convenient and easy to use.&#13;
&#13;
The inventor of liquid ink, Taguchi Seiji, was a teacher from Japan, and in order to motivate young children to practice calligraphy, he invented liquid ink in order to make writing easier  and more convenient.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>A related resource</description>
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                <text>Oil soot ink is made using the soot of burnt tung oil or various other oils. There is more glue (animal glue, e.g. egg white, fish skin, or ox hide glues) in this type of ink than the other kinds, so it does not spread as much. Oil soot ink has more lustre, and it often used for writing calligraphy and well as paintings (e.g. flowers, birds, landscapes)&#13;
&#13;
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                <text>Hold the inkstick straight while grinding it against the inkstone.</text>
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                <text>Once the process of ink grinding is finished, remove the inkstick from the inkstone immediately to prevent them from sticking to each other. Store the inkstick in a container or box of some sort to prevent the sun's direct contact as well as humidity.</text>
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                <text>If you accidentally stain your clothing with ink, wash it with water immediately. If water is unable to complete remove the stain, try to use cooked rice. This is because the starch in rice can stick to the small soot particles in the ink, making it easier to wash off.</text>
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            <description>A name given to the resource</description>
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                <text>Pine soot ink is made from the soot of pine wood, which is produced by the anoxic burning of pine wood. It has less glue (animal glue, e.g. Egg white, fish skin, or ox hide glues) and so spreads more than oil soot ink. Pine soot ink is a lot less lustrous or glossy compared to oil soot ink. It is often used to write calligraphy on stone carvings, or paintings (e.g. things like a man's hair).&#13;
&#13;
Before pine soot ink was widely used, ink was usually made out of natural compositions like graphite (石墨). However, producing pine soot inks requires chopping down thicker and stronger pine trees, creating damage for the natural environment</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>To make ink, the inkstick is ground against an inkstone with a small quantity of water to produce a dark liquid which is then applied with an ink brush.</text>
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                <text>Hold the inkstick straight while grinding it against the inkstone.</text>
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                <text>Grind the inkstick with moderate speed and strength, and add an appropriate amount of water to ensure the concentration of the ink is maintained.</text>
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                <text>Only grind as much ink as you need, because when ink is left unused for more than a day, the soot and glue starts to separate, and the ink becomes unusable.</text>
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                <text>Once the process of ink grinding is finished, remove the inkstick from the inkstone immediately to prevent them from sticking to each other. Store the inkstick in a container or box of some sort to prevent the sun's direct contact as well as humidity.</text>
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                <text>If you accidentally stain your clothing with ink, wash it with water immediately. If water is unable to complete remove the stain, try to use cooked rice. This is because the starch in rice can stick to the small soot particles in the ink, making it easier to wash off.</text>
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                  <text>An inkstone is a stone mortar for the grinding and containment of ink.</text>
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                <text>Duan Inkstone (端硯)</text>
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&#13;
Duan inkstones are extremely solid, smooth and fine, and is said to be the most valuable type of inkstones. The ink that is grinded from Duan inkstones are usually of high quality, is easy to write with and long-lasting.&#13;
&#13;
During the Song Dynasty, the emperor commanded that the government officials from Guangdong are not to bring the Duan stone  into the capital without prior authorisation, showing how valuable the stone is.</text>
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                <text>Made of volcanic tuff, commonly of a purple to a purple-red color.</text>
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            <description>Spatial characteristics of the resource.</description>
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                <text>Duan stones can be found in Guangdong's Zhaoqing city (廣東肇慶), Zhaoqing was called Duanzhou (端州) in ancient China, hence the name Duan stone.</text>
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                <text>When grinding ink, cold water should be used instead of hot water or tea.</text>
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            <description>A related resource</description>
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                <text>Chengni Inkstone (澄泥硯)</text>
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                <text>She Inkstone (歙硯)</text>
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                <text>Tao Inkstone (洮硯)</text>
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