<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/17">
    <dcterms:title><![CDATA[Regular Script (楷書)]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Eastern Han Dynasty (東漢）]]></dcterms:subject>
    <dcterms:subject><![CDATA[Fonts]]></dcterms:subject>
    <dcterms:subject><![CDATA[Scripts]]></dcterms:subject>
    <dcterms:subject><![CDATA[Writing Styles]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Characters]]></dcterms:subject>
    <dcterms:description><![CDATA[Regular script is also known as “uniform script” and “real script”, referring to a typeface of order. Regular script is a regular typeface directly evolved from clerical script. It turned the “silkworm head and wild goose tail” of clerical script into a flat and straight form. The word turns from being flat to square and regular.<br />
<br />
This script has remained in use until now and is the fundamental skill people must learn well in their study of calligraphy.]]></dcterms:description>
    <dcterms:creator><![CDATA[Eastern Han Dynasty (東漢）]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Creative Commons Search]]></dcterms:publisher>
    <dcterms:date><![CDATA[151-230 CE]]></dcterms:date>
    <dcterms:relation><![CDATA[Cursive Script (草书)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Clerical Script (隸書)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Seal Calligraphy (篆書)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Running Script (行書)]]></dcterms:relation>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Script]]></dcterms:type>
    <dcterms:identifier><![CDATA[regularscript]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/42">
    <dcterms:title><![CDATA[Flowers’ Fragrance (花氣薰人帖)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Masterpiece]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Cursive Script (草書)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Song Dynasty (宋朝)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Huang Tingjian (黃庭堅)]]></dcterms:subject>
    <dcterms:description><![CDATA[In this piece, Tingjian wrote poems to his friend, Wang Gong (王鞏), saying that Wang Jinqing (王晉卿, 王詵) sent him written poems and keep waiting for his response by sending him flowers, but he didn&#039;t feel like writing a poem. On the other words, this poem was meant for Wang Shen as it shows that Tingjian&#039;s avoidance in responding to him.]]></dcterms:description>
    <dcterms:creator><![CDATA[Huang Tingjian (黃庭堅)]]></dcterms:creator>
    <dcterms:date><![CDATA[Song Dynasty (宋朝)]]></dcterms:date>
    <dcterms:rights><![CDATA[National Palace Museum (國立故宮博物院), Taipei (臺北市)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Poem on the Hall of Pines and Wind (松風閣詩)]]></dcterms:relation>
    <dcterms:format><![CDATA[Album leaf]]></dcterms:format>
    <dcterms:format><![CDATA[Ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[30.7 x 43.2 cm]]></dcterms:format>
    <dcterms:format><![CDATA[Cursive Script (草書)]]></dcterms:format>
    <dcterms:format><![CDATA[7 words in each of the 4 sentences, in 4¼ rows]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[flowersfragrance]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/44">
    <dcterms:title><![CDATA[Poem on the Hall of Pines and Wind (松風閣詩)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Masterpiece]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Running Script (行書)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Song Dynasty (宋朝)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Huang Tingjian (黃庭堅)]]></dcterms:subject>
    <dcterms:description><![CDATA[&quot;Poem on the Hall of Pines and Wind (松風閣詩)&quot; express Huang Tingjian (黃庭堅)&#039;s melancholy within his joyfulness. At first, he depicts the beautiful scenery of the Hall of Pines and Wind. Then he shows his sadness towards his friends including Su Shi (蘇軾), that had been passed away, could have been sharing the same enjoyment of the scenery until he finally could free himself from that situation.]]></dcterms:description>
    <dcterms:creator><![CDATA[Huang Tingjian (黃庭堅)]]></dcterms:creator>
    <dcterms:date><![CDATA[Song Dynasty (宋朝)]]></dcterms:date>
    <dcterms:rights><![CDATA[National Palace Museum (國立故宮博物院), Taipei (臺北市)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Flowers’ Fragrance (花氣薰人帖)]]></dcterms:relation>
    <dcterms:format><![CDATA[Album leaf]]></dcterms:format>
    <dcterms:format><![CDATA[Ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[30.7 x 43.2 cm]]></dcterms:format>
    <dcterms:format><![CDATA[Running script (行書)]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[hallofpinesandwind]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[The poem narrates a passage from a trip to the Wuchang Western Hills. ]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/45">
    <dcterms:title><![CDATA[On Sichuan Silk (蜀素帖)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Masterpiece]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Running Script (行書)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Song Dynasty (宋朝) ]]></dcterms:subject>
    <dcterms:subject><![CDATA[Mi Fu (米芾)]]></dcterms:subject>
    <dcterms:description><![CDATA[The handscroll made of Sichuan silk was made during the reign of Emperor Zhezong. The type of the silk was specially made for calligraphy since both top and bottom grid lines were woven into a scroll with the vertical ones drawn in ink. None of the renowned calligraphers at that time were confident enough to write on such materials because it needed perfect skills. Finally, Mi Fu consented to write the eight poems in running script on it. ]]></dcterms:description>
    <dcterms:creator><![CDATA[Mi Fu (米芾)]]></dcterms:creator>
    <dcterms:date><![CDATA[Song Dynasty (宋朝) ]]></dcterms:date>
    <dcterms:rights><![CDATA[National Palace Museum (國立故宮博物院), Taipei (臺北市)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Poems in Wuzi&#039;s Boat (吳江舟中詩)]]></dcterms:relation>
    <dcterms:relation><![CDATA[The Coral Tree (珊瑚帖)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Poem on the Hall of Pines and Wind (松風閣詩)]]></dcterms:relation>
    <dcterms:format><![CDATA[Handscroll]]></dcterms:format>
    <dcterms:format><![CDATA[Ink  on silk]]></dcterms:format>
    <dcterms:format><![CDATA[27.8 x 270.8 cm]]></dcterms:format>
    <dcterms:format><![CDATA[Running script (行書)]]></dcterms:format>
    <dcterms:format><![CDATA[658 characters in 71 lines]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[onsichuansilk]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/38">
    <dcterms:title><![CDATA[Ode to the Red Cliff (赤壁賦)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Masterpiece]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Regular Script (楷書)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Song Dynasty (宋朝)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Su Shi (蘇軾)]]></dcterms:subject>
    <dcterms:description><![CDATA[Su Shi (蘇軾) and his friends was traveling to Red Nose Cliff (赤鼻磯) in the west of Huangzhou (黃州).  Su then wrote these two poems called &quot;Ode to the Red Cliff (赤壁賦)&quot; to recall the Battle of Red Cliff (Battle of Chibi 赤壁之戰) back in 208 CE. depicted the bravery of great historical figures, hypocritical nature of people and his philosophical views. Later, the place was known as &quot;Dongpo&#039;s Red Cliff&quot;.]]></dcterms:description>
    <dcterms:creator><![CDATA[Su Shi (蘇軾)]]></dcterms:creator>
    <dcterms:date><![CDATA[Song Dynasty (宋朝)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Fu Yaoyu (傅堯俞)]]></dcterms:contributor>
    <dcterms:rights><![CDATA[National Palace Museum (國立故宮博物院), Taipei (臺北市)]]></dcterms:rights>
    <dcterms:relation><![CDATA[The Cold Food Observance (寒食帖)]]></dcterms:relation>
    <dcterms:format><![CDATA[Handscroll]]></dcterms:format>
    <dcterms:format><![CDATA[Ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[23.9 x 258 cm]]></dcterms:format>
    <dcterms:format><![CDATA[Regular script (楷書)]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[odetotheredcliff]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[The poem describes Su Shi and friends&#039; trip to the Red Nose Cliff (赤鼻磯) west of the town Huangzhou (黃州). ]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/39">
    <dcterms:title><![CDATA[The Cold Food Observance (寒食帖)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Masterpiece]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Running Script (行書）]]></dcterms:subject>
    <dcterms:subject><![CDATA[Song Dynasty (宋朝)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Su Shi (蘇軾)]]></dcterms:subject>
    <dcterms:description><![CDATA[The creator of this piece of calligraphy, Su Shi, was accused of literary slander and banished to Huangzhou (黃州) when he wrote this piece of calligraphy. He created this piece during his 3rd year of exile, during the Han Shi Festival (literally Cold Food Festival), expressing his feelings of loneliness and melancholy.<br />
<br />
This is a piece that combined poetry with calligraphy. It was written by Su Shi when he was in political trouble and demoted and dispatched to serve as a minor official in Huangzhou. The bleak weather and the Hanzi Festival only added to his melancholy. The strong emotions underlying the piece are comparable to the feeling embodied in the Wang Xizhi&#039;s Lanting Xu (蘭亭序) and the Yan Zhenqing&#039;s Draft of a Requiem to My Nephew (祭侄文稿).<br />
<br />
Hanshi Festival (寒食節) is an ancient traditional Chinese festival celebrated for three consecutive days starting the day before the Qingming Festival (清明節) which falls on 4 or 5 April.]]></dcterms:description>
    <dcterms:creator><![CDATA[Su Shi (蘇軾)]]></dcterms:creator>
    <dcterms:date><![CDATA[Song Dynasty (宋朝)]]></dcterms:date>
    <dcterms:rights><![CDATA[National Palace Museum (國立故宮博物院), Taipei (臺北市)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Ode to the Red Cliff (赤壁賦)]]></dcterms:relation>
    <dcterms:format><![CDATA[Handscroll]]></dcterms:format>
    <dcterms:format><![CDATA[Ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[34.2 x 199.5 cm]]></dcterms:format>
    <dcterms:format><![CDATA[Running Script (行書）]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[thecoldfoodobservance]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/8">
    <dcterms:title><![CDATA[Liquid Ink (墨汁）]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Writing Tools]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Tools]]></dcterms:subject>
    <dcterms:subject><![CDATA[Ink]]></dcterms:subject>
    <dcterms:subject><![CDATA[Liquid Ink]]></dcterms:subject>
    <dcterms:description><![CDATA[Liquid Ink is a type of ink that was invented in the 19th century, and can be used directly without an ink stone. This is usually used by beginners as it is more convenient and easy to use.<br />
<br />
The inventor of liquid ink, Taguchi Seiji, was a teacher from Japan, and in order to motivate young children to practice calligraphy, he invented liquid ink in order to make writing easier  and more convenient.]]></dcterms:description>
    <dcterms:creator><![CDATA[Taguchi Seiji (田口精爾)]]></dcterms:creator>
    <dcterms:creator><![CDATA[Kaimei &amp; Co. Ltd]]></dcterms:creator>
    <dcterms:date><![CDATA[1898]]></dcterms:date>
    <dcterms:relation><![CDATA[Pine Soot Ink (松煙墨）]]></dcterms:relation>
    <dcterms:relation><![CDATA[Oil Soot Ink (油煙墨）]]></dcterms:relation>
    <dcterms:format><![CDATA[Liquid]]></dcterms:format>
    <dcterms:format><![CDATA[Plastic Container]]></dcterms:format>
    <dcterms:format><![CDATA[Black]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[liquidink]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/35">
    <dcterms:title><![CDATA[Tsang Tsou Choi&#039;s Calligraphy Graffiti  (曾灶財街頭文字塗鴉)]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese Calligraphy ]]></dcterms:subject>
    <dcterms:subject><![CDATA[Art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Decoration]]></dcterms:subject>
    <dcterms:subject><![CDATA[Wall Art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Inscriptions]]></dcterms:subject>
    <dcterms:subject><![CDATA[Mural]]></dcterms:subject>
    <dcterms:subject><![CDATA[Tsang Tsou Choi]]></dcterms:subject>
    <dcterms:subject><![CDATA[Kowloon Emperor]]></dcterms:subject>
    <dcterms:description><![CDATA[Tsang Tsou Choi, who named himself and widely known as the &quot;Kowloon Emperor&quot;, is a street graffiti in Hong Kong. He creates graffiti creations of Chinese characters written with a brush on public walls on the stories. It tells the story of oneself and the family&#039;s past deeds, and &quot;declares&quot; the &quot;sovereignty&quot; of Kowloon.]]></dcterms:description>
    <dcterms:creator><![CDATA[Tsang Tsou Choi (曾灶財)]]></dcterms:creator>
    <dcterms:date><![CDATA[1956 - 2007]]></dcterms:date>
    <dcterms:format><![CDATA[Wall]]></dcterms:format>
    <dcterms:format><![CDATA[Paint]]></dcterms:format>
    <dcterms:format><![CDATA[Lampposts]]></dcterms:format>
    <dcterms:format><![CDATA[Utility boxes]]></dcterms:format>
    <dcterms:format><![CDATA[Pillars]]></dcterms:format>
    <dcterms:format><![CDATA[Pavements]]></dcterms:format>
    <dcterms:format><![CDATA[Street Furniture]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[tsangtsouchoicalligraphygraffiti]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[His works could be found mostly arround Kowloon, for example Kwun Tong, Tsim Sha Tsui Star Ferry Pier, Ping She Estate, Tsui Ping Estate, etc., as well as Hong Kong Island, Central, and the Western District outside Kowloon. Nowadays, the only ones of his works perserved are in Tsim Sha Tsui Star Ferry Pier and the bottom of the junction of Sau Mau Ping Road and Shun On Road.]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/34">
    <dcterms:title><![CDATA[Preface to the Poems Composed at the Orchid Pavilion (蘭亭集序)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Masterpiece]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Running script (行書)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Jin Dynasty (晉朝)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Wang Xizhi (王羲之)]]></dcterms:subject>
    <dcterms:description><![CDATA[Preface to the Poems Composed at the Orchid Pavilion (蘭亭集序) or known as ‘Lanting Xu’, is the most notable piece that was self-composed and handwritten by Wang Xizhi (王羲之). Before Xizhi’s official retirement as a governor on 353 CE, he invited more than 40 literary figures to compose poems while enjoying wine during Spring Purification Festival (上巳節) at the Orchid Pavilion (Lanting) near the town Shaoxing, Zhejiang. The gathering was later depicted by Xizhi using his “Running Script (行書)” handwriting style and served as the preface to the collection of these poems. Even though the original manuscript is gone, the art had been highly appreciated through generations that several finely traced copies and rubbings are still well-preserved.]]></dcterms:description>
    <dcterms:creator><![CDATA[Wang Xizhi (王羲之)]]></dcterms:creator>
    <dcterms:date><![CDATA[Jin Dynasty (晉朝)]]></dcterms:date>
    <dcterms:relation><![CDATA[Spring Purification Festival (上巳節)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Orchid Pavilion (蘭亭集)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Timely Clearing After Snowfall (快雪時晴帖)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Three Passages: Ping-an, He-ru, and Feng-ju (平安何如奉橘三帖)]]></dcterms:relation>
    <dcterms:format><![CDATA[Running script (行書)]]></dcterms:format>
    <dcterms:format><![CDATA[324 characters in 28 columns]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[lantingxu]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[This piece of work is a preface written to the Poems composed at the Orchid Pavilion in Shaoxing to observe the Spring Purification Festival.]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/37">
    <dcterms:title><![CDATA[Timely Clearing After Snowfall (快雪時晴帖)]]></dcterms:title>
    <dcterms:title><![CDATA[Sunny After Snow]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligraphy ]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Masterpiece]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Running Script (行書)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Jin dynasty (晉朝)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Wang Xizhi (王羲之)]]></dcterms:subject>
    <dcterms:subject><![CDATA[The Three Treasures Hall (三希堂)]]></dcterms:subject>
    <dcterms:description><![CDATA[In this short letter written in running script, Wang Xizhi sent a greeting to a friend after a snowfall. In the piece, much of the brushwork appears round and blunt, the dots and hooked strokes not revealing the tip of the brush. The characters are even and balanced, revealing a straightforward elegance and introverted harmony. This artwork is included in The Three Treasures Hall (三希堂) and influenced Zhao Mengfu (趙孟頫)&#039;s Colophon (題跋).]]></dcterms:description>
    <dcterms:creator><![CDATA[Wang Xizhi (王羲之)]]></dcterms:creator>
    <dcterms:date><![CDATA[Jin Dynasty (晉朝)]]></dcterms:date>
    <dcterms:rights><![CDATA[National Palace Museum (國立故宮博物院), Taipei (臺北市)]]></dcterms:rights>
    <dcterms:relation><![CDATA[Colophon (題跋)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Preface to the Poems Composed at the Orchid Pavilion (蘭亭集序)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Three Passages: Ping-an, He-ru, and Feng-ju (平安何如奉橘三帖)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Mid-Autumn (中秋帖)]]></dcterms:relation>
    <dcterms:relation><![CDATA[A Letter to Boyuan (伯遠帖)]]></dcterms:relation>
    <dcterms:format><![CDATA[Album leaf]]></dcterms:format>
    <dcterms:format><![CDATA[Ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[23 x 14.8 cm]]></dcterms:format>
    <dcterms:format><![CDATA[Running script (行書)]]></dcterms:format>
    <dcterms:format><![CDATA[28 characters in 4 rows]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[timelyclearingaftersnowfall]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[This is a letter sent by Wang Xizhi to a friend, Zhang Hou, in Sanin. ]]></dcterms:spatial>
</rdf:Description></rdf:RDF>
