<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/25">
    <dcterms:title><![CDATA[Mi Fu (米芾)]]></dcterms:title>
    <dcterms:title><![CDATA[Madman Mi (米癲)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligrapher]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligrapher]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Master]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligrapher]]></dcterms:subject>
    <dcterms:subject><![CDATA[Song Dynasty (宋朝)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Four Masters of Calligraphy of the Song Dynasty]]></dcterms:subject>
    <dcterms:description><![CDATA[Mi Fu (米芾) was a Chinese painter, poet, and calligrapher best known for his calligraphy works. He was also regarded as one of the four greatest calligraphers during the Song Dynasty period. Mi Fu was once noted as an eccentric and called as &quot;Madman Mi (米癲)&quot; since he was so obsessed collecting stones, bow to them as he regard them as his &#039;older brothers&#039;.]]></dcterms:description>
    <dcterms:date><![CDATA[Song Dynasty (宋朝)]]></dcterms:date>
    <dcterms:date><![CDATA[1051-1107]]></dcterms:date>
    <dcterms:relation><![CDATA[Huang Tingjian (黃庭堅)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Su Shi (蘇軾)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Zhao Ji (趙佶)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Four Masters of Calligraphy of the Song Dynasty]]></dcterms:relation>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Person]]></dcterms:type>
    <dcterms:identifier><![CDATA[mifu]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[Born in Taiyuan, Mi Fu knew the imperial family and he lived in the privileged location of the royal palaces, where he also started his career as Reviser of Books, Professor of Painting and Calligraphy in the capital, Secretary to the Board of Rites and Military Governor of Huaiyang. In his later years, Mi Fu became very fond of Holin Temple (located on Yellow Crane Mountain). He later asked to be buried at its gate. Today the temple is gone, but his grave remains.]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/26">
    <dcterms:title><![CDATA[Zhao Mengfu (趙孟頫)]]></dcterms:title>
    <dcterms:title><![CDATA[Zi’ang (子昂)]]></dcterms:title>
    <dcterms:title><![CDATA[Songxue (松雪, &quot;Pine Snow&quot;)]]></dcterms:title>
    <dcterms:title><![CDATA[Oubo (鷗波, &quot;Gull Waves&quot;)]]></dcterms:title>
    <dcterms:title><![CDATA[Shuijinggong Daoren (水精宮道人, &quot;Master of the Crystal Palace&quot;)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligrapher]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligrapher]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Master]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligrapher]]></dcterms:subject>
    <dcterms:subject><![CDATA[Yuan Dynasty (元朝)]]></dcterms:subject>
    <dcterms:description><![CDATA[Zhao Mengfu (趙孟頫) was one of the imperial descendants of the Song Dynasty (宋朝). He served as a part of the Mongols, being a court official. His artistic talent is admired by Mongol emperors, including Kublai Khan, until he was offered a position in Hanlin Academy. Zhao is popularly remembered as a horse painter during Tang dynasty (618–907), and also animal groups, landscapes, and bamboos. ]]></dcterms:description>
    <dcterms:date><![CDATA[Yuan Dynasty (元朝)]]></dcterms:date>
    <dcterms:date><![CDATA[1254 - 1322]]></dcterms:date>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Person]]></dcterms:type>
    <dcterms:identifier><![CDATA[zhaomengfu]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[Zhao Mengfu formly lived in Huzhou, Zhejiang province, which has now been restored into a museum, and opened to public since 2012. ]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/28">
    <dcterms:title><![CDATA[She Inkstone (歙硯)]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Tools for Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Four Treasures of the Study]]></dcterms:subject>
    <dcterms:subject><![CDATA[Inkstones]]></dcterms:subject>
    <dcterms:description><![CDATA[She inkstones come from the She County (Anhui Province) and Wuyuan County (Jiangxi Province). Both counties were under jurisdiction of the ancient She Prefecture of Huizhou during the Tang Dynasty when the She ink stone was first made. This stone is a variety of slate and like Duan stone is categorized by the various mines from which the stone was obtained historically. It has a black color and also displays a variety of gold-like markings. She ink stones were first used during the Tang Dynasty.]]></dcterms:description>
    <dcterms:date><![CDATA[Tang Dynasty (唐朝)]]></dcterms:date>
    <dcterms:relation><![CDATA[Chengni Inkstone (澄泥硯)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Duan Inkstone (端硯)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Tao Inkstone (洮硯)]]></dcterms:relation>
    <dcterms:format><![CDATA[This stone is a variety of slate procured from various mines.]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[sheinkstone]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/29">
    <dcterms:title><![CDATA[Tao Inkstone (洮硯)]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Tools for Calligraphy<br />
<br />
]]></dcterms:subject>
    <dcterms:subject><![CDATA[Four Treasures of the Study]]></dcterms:subject>
    <dcterms:subject><![CDATA[Inkstones]]></dcterms:subject>
    <dcterms:description><![CDATA[These became rapidly desired after being first used as inkstone. It bears distinct markings such as bands of ripples with varying shades. The stone is crystalline and looks like jade. These stones have become increasingly rare and are difficult to find. It can easily be confused with a Duan ink stone, but can be distinguished by its crystalline nature.]]></dcterms:description>
    <dcterms:date><![CDATA[Song Dynasty (宋朝)]]></dcterms:date>
    <dcterms:relation><![CDATA[Chengni Inkstone (澄泥硯)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Duan Inkstone (端硯)]]></dcterms:relation>
    <dcterms:relation><![CDATA[She Inkstone (歙硯)]]></dcterms:relation>
    <dcterms:format><![CDATA[Crystalline ]]></dcterms:format>
    <dcterms:format><![CDATA[Sedimentary]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[taoinkstones]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[Tao inkstones are made from the stones found at the bottom of the Tao River in Gansu Province. ]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/31">
    <dcterms:title><![CDATA[Chengni Inkstone (澄泥硯)]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Tools for Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Four Treasures of the Study]]></dcterms:subject>
    <dcterms:subject><![CDATA[Inkstone]]></dcterms:subject>
    <dcterms:description><![CDATA[Chengni inkstones are ceramic-manufactured inkstones. ]]></dcterms:description>
    <dcterms:date><![CDATA[Tang Dynasty (唐朝)]]></dcterms:date>
    <dcterms:relation><![CDATA[Duan Inkstone (端硯)]]></dcterms:relation>
    <dcterms:relation><![CDATA[She Inkstone (歙硯)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Tao Inkstone (洮硯)]]></dcterms:relation>
    <dcterms:format><![CDATA[Ceramic ]]></dcterms:format>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[chengniinkstones]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[The manufacture of Chengni inkstones is said to have originated in Luoyang, Henan. ]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/32">
    <dcterms:title><![CDATA[Fai Chun (揮春)]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese New Year]]></dcterms:subject>
    <dcterms:subject><![CDATA[Lunar New Year]]></dcterms:subject>
    <dcterms:subject><![CDATA[Traditional Decoration]]></dcterms:subject>
    <dcterms:subject><![CDATA[Custom]]></dcterms:subject>
    <dcterms:description><![CDATA[Fai Chun (揮春) is a traditional decoration that is often used during Chinese New Year. Chinese put Fai Chun in the doorways to create elated festive atmosphere. The phrases written on it usually means good luck and prosperity. Customarily, Fai Chun is written by hand. There is three types of Fai Chun regarding to their shape and content: Doufang, Chuntiao, and Chunlian.]]></dcterms:description>
    <dcterms:relation><![CDATA[Antithetical Couplet (對聯)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Chinese Paper Cutting]]></dcterms:relation>
    <dcterms:format><![CDATA[Ink on rice paper]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[faichun]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/33">
    <dcterms:title><![CDATA[Plaque (牌匾)]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Business ]]></dcterms:subject>
    <dcterms:subject><![CDATA[Shop ]]></dcterms:subject>
    <dcterms:subject><![CDATA[Reputation]]></dcterms:subject>
    <dcterms:subject><![CDATA[Commercial ]]></dcterms:subject>
    <dcterms:subject><![CDATA[Advertisement ]]></dcterms:subject>
    <dcterms:subject><![CDATA[Recognition]]></dcterms:subject>
    <dcterms:description><![CDATA[Plaque is a unique culture in China that combined Chinese characters, calligraphy, architecture, sculpture, and painting into one. It is usually a big sign that is put up in order to state or convey a strong and clear message to the others, for example: name of the building, name of the shop, what their products are praised for etc. ]]></dcterms:description>
    <dcterms:relation><![CDATA[Signboard]]></dcterms:relation>
    <dcterms:relation><![CDATA[Inscription]]></dcterms:relation>
    <dcterms:format><![CDATA[Wood]]></dcterms:format>
    <dcterms:format><![CDATA[Metal]]></dcterms:format>
    <dcterms:format><![CDATA[Rock]]></dcterms:format>
    <dcterms:format><![CDATA[Paint]]></dcterms:format>
    <dcterms:format><![CDATA[Gold]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
    <dcterms:identifier><![CDATA[plague]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/34">
    <dcterms:title><![CDATA[Preface to the Poems Composed at the Orchid Pavilion (蘭亭集序)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Masterpiece]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Running script (行書)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Jin Dynasty (晉朝)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Wang Xizhi (王羲之)]]></dcterms:subject>
    <dcterms:description><![CDATA[Preface to the Poems Composed at the Orchid Pavilion (蘭亭集序) or known as ‘Lanting Xu’, is the most notable piece that was self-composed and handwritten by Wang Xizhi (王羲之). Before Xizhi’s official retirement as a governor on 353 CE, he invited more than 40 literary figures to compose poems while enjoying wine during Spring Purification Festival (上巳節) at the Orchid Pavilion (Lanting) near the town Shaoxing, Zhejiang. The gathering was later depicted by Xizhi using his “Running Script (行書)” handwriting style and served as the preface to the collection of these poems. Even though the original manuscript is gone, the art had been highly appreciated through generations that several finely traced copies and rubbings are still well-preserved.]]></dcterms:description>
    <dcterms:creator><![CDATA[Wang Xizhi (王羲之)]]></dcterms:creator>
    <dcterms:date><![CDATA[Jin Dynasty (晉朝)]]></dcterms:date>
    <dcterms:relation><![CDATA[Spring Purification Festival (上巳節)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Orchid Pavilion (蘭亭集)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Timely Clearing After Snowfall (快雪時晴帖)]]></dcterms:relation>
    <dcterms:relation><![CDATA[Three Passages: Ping-an, He-ru, and Feng-ju (平安何如奉橘三帖)]]></dcterms:relation>
    <dcterms:format><![CDATA[Running script (行書)]]></dcterms:format>
    <dcterms:format><![CDATA[324 characters in 28 columns]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[lantingxu]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[This piece of work is a preface written to the Poems composed at the Orchid Pavilion in Shaoxing to observe the Spring Purification Festival.]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/35">
    <dcterms:title><![CDATA[Tsang Tsou Choi&#039;s Calligraphy Graffiti  (曾灶財街頭文字塗鴉)]]></dcterms:title>
    <dcterms:subject><![CDATA[Chinese Calligraphy ]]></dcterms:subject>
    <dcterms:subject><![CDATA[Art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Decoration]]></dcterms:subject>
    <dcterms:subject><![CDATA[Wall Art]]></dcterms:subject>
    <dcterms:subject><![CDATA[Inscriptions]]></dcterms:subject>
    <dcterms:subject><![CDATA[Mural]]></dcterms:subject>
    <dcterms:subject><![CDATA[Tsang Tsou Choi]]></dcterms:subject>
    <dcterms:subject><![CDATA[Kowloon Emperor]]></dcterms:subject>
    <dcterms:description><![CDATA[Tsang Tsou Choi, who named himself and widely known as the &quot;Kowloon Emperor&quot;, is a street graffiti in Hong Kong. He creates graffiti creations of Chinese characters written with a brush on public walls on the stories. It tells the story of oneself and the family&#039;s past deeds, and &quot;declares&quot; the &quot;sovereignty&quot; of Kowloon.]]></dcterms:description>
    <dcterms:creator><![CDATA[Tsang Tsou Choi (曾灶財)]]></dcterms:creator>
    <dcterms:date><![CDATA[1956 - 2007]]></dcterms:date>
    <dcterms:format><![CDATA[Wall]]></dcterms:format>
    <dcterms:format><![CDATA[Paint]]></dcterms:format>
    <dcterms:format><![CDATA[Lampposts]]></dcterms:format>
    <dcterms:format><![CDATA[Utility boxes]]></dcterms:format>
    <dcterms:format><![CDATA[Pillars]]></dcterms:format>
    <dcterms:format><![CDATA[Pavements]]></dcterms:format>
    <dcterms:format><![CDATA[Street Furniture]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[tsangtsouchoicalligraphygraffiti]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[His works could be found mostly arround Kowloon, for example Kwun Tong, Tsim Sha Tsui Star Ferry Pier, Ping She Estate, Tsui Ping Estate, etc., as well as Hong Kong Island, Central, and the Western District outside Kowloon. Nowadays, the only ones of his works perserved are in Tsim Sha Tsui Star Ferry Pier and the bottom of the junction of Sau Mau Ping Road and Shun On Road.]]></dcterms:spatial>
</rdf:Description><rdf:Description rdf:about="https://learning.hku.hk/ccch9051/group-24/items/show/36">
    <dcterms:title><![CDATA[Poetry on the Baotu Spring (書趵突泉詩)]]></dcterms:title>
    <dcterms:subject><![CDATA[Ancient Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Chinese Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Calligraphy Masterpiece]]></dcterms:subject>
    <dcterms:subject><![CDATA[Famous Calligraphy]]></dcterms:subject>
    <dcterms:subject><![CDATA[Regular Script (楷書)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Yuan Dynasty (元朝)]]></dcterms:subject>
    <dcterms:subject><![CDATA[Zhao Mengfu (趙孟頫)]]></dcterms:subject>
    <dcterms:description><![CDATA[This piece was created by Zhao Mengfu after he returned from his travels from Jinan (濟南). It was dedicated to his old friend Zhou Mi (周密), a native of Shandong (山東) who had never been to Jinan, so Zhao especially wrote this scroll of poetry as a gift.]]></dcterms:description>
    <dcterms:creator><![CDATA[Zhao Mengfu (趙孟頫）]]></dcterms:creator>
    <dcterms:date><![CDATA[Yuan Dynasty (元朝)]]></dcterms:date>
    <dcterms:contributor><![CDATA[Ode on Leisurely Living (閒居賦) ]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[Record of the Zhoujin Studio (書晝錦堂記) ]]></dcterms:contributor>
    <dcterms:contributor><![CDATA[The Return (歸去來辭)]]></dcterms:contributor>
    <dcterms:rights><![CDATA[National Palace Museum (國立故宮博物院), Taipei (臺北市)]]></dcterms:rights>
    <dcterms:format><![CDATA[Handscroll]]></dcterms:format>
    <dcterms:format><![CDATA[Ink on paper]]></dcterms:format>
    <dcterms:format><![CDATA[33.1 x 83.3 cm]]></dcterms:format>
    <dcterms:format><![CDATA[Regular script (楷書)]]></dcterms:format>
    <dcterms:format><![CDATA[97 characters]]></dcterms:format>
    <dcterms:language><![CDATA[Chinese]]></dcterms:language>
    <dcterms:type><![CDATA[Calligraphy]]></dcterms:type>
    <dcterms:identifier><![CDATA[poetryontheboatuspring]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[The Baotu Spring is located outside of the west gate of the old city wall of Jinan (濟南) in Shandong Province. When Zhao Mengfu was an official in Jinan, he often traveled to this location.]]></dcterms:spatial>
</rdf:Description></rdf:RDF>