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                <text>Minibus signs are signs used to indicate the route, stations, and fare for red minibuses in Hong Kong, which are free to operate anywhere, except where special prohibitions apply, without a control over routes or fares by the Transport Department of the Hong Kong government.&#13;
&#13;
These signs are written by hand on plastic boards, using ink of different colours, for example, red indicates the destination and written in blue ink are places that the vehicle will pass by. The signs are placed in the front of the minibus window or the window by the door, providing information for the potential passengers. </text>
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                <text>In Hong Kong, red minibuses are free to operate anywhere, except where special prohibitions apply, without control over routes or fares.</text>
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                <text>Fai Chun (揮春) is a traditional decoration that is often used during Chinese New Year. Chinese put Fai Chun in the doorways to create elated festive atmosphere. The phrases written on it usually means good luck and prosperity. Customarily, Fai Chun is written by hand. There is three types of Fai Chun regarding to their shape and content: Doufang, Chuntiao, and Chunlian.</text>
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                <text>Antithetical Couplet (對聯)</text>
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                <text>Chinese Paper Cutting</text>
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                <text>Plaque is a unique culture in China that combined Chinese characters, calligraphy, architecture, sculpture, and painting into one. It is usually a big sign that is put up in order to state or convey a strong and clear message to the others, for example: name of the building, name of the shop, what their products are praised for etc. </text>
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                <text>Tsang Tsou Choi's Calligraphy Graffiti  (曾灶財街頭文字塗鴉)</text>
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                <text>Tsang Tsou Choi, who named himself and widely known as the "Kowloon Emperor", is a street graffiti in Hong Kong. He creates graffiti creations of Chinese characters written with a brush on public walls on the stories. It tells the story of oneself and the family's past deeds, and "declares" the "sovereignty" of Kowloon.</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="598">
                <text>Calligraphy</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="938">
                <text>Tsang Tsou Choi (曾灶財)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="939">
                <text>tsangtsouchoicalligraphygraffiti</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="294">
            <name>Spatial Coverage</name>
            <description>Spatial characteristics of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="940">
                <text>His works could be found mostly arround Kowloon, for example Kwun Tong, Tsim Sha Tsui Star Ferry Pier, Ping She Estate, Tsui Ping Estate, etc., as well as Hong Kong Island, Central, and the Western District outside Kowloon. Nowadays, the only ones of his works perserved are in Tsim Sha Tsui Star Ferry Pier and the bottom of the junction of Sau Mau Ping Road and Shun On Road.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
