Architecture drawing; elevation; section; 1：150 drawing
This 1:150 drawing shows the longitudinal section and west elevation of the main hall of fo-kuang temple. The temple hall of Fo Guang Temple is 7 bay and 4 depth, and it is a single hip roof structure. It is made of 22 poles and 14 inner columns. The inner trough is 5 bay and 3 depth, and the three sides are pillared by pillars to provide Buddhist altars inside.
Liang sicheng
Content of drawing concerning the main hall of Fo-Kuang Temple which is the largest tang dynasty wooden temple.
Dimension: length: 38cm; width: 30cm; 1:150 drawing
Still image
Mabelchoi
Architecture drawing; plan; section; 1:100 drawing
This 1:100 drawing shows the cross section and plan of the main hall of Fo-kuang temple. The temple hall of Fo-Kuang Temple is 7 bay and 4 depth, and it is a single hip roof structure. It is made of 22 poles and 14 inner columns. The inner trough is 5 bay and 3 depth, and the three sides are pillared by pillars to provide Buddhist altars inside.
Buddhist temple architecture; largest tang dynasty wooden structure
This buddhist main hall of fo-kuang temple is currently the largest tang dynasaty timber building in china and it is also the second-oldest wooden structure which is hailed as "the first of chinese architecture" by architect liang sicheng. Today the temple is part of a unesco world heritage site. Foguang Temple is built on multiple levels up a hillside valley, following the slope of the mountain embraced by green hills on three sides. Listed as a major site of historic value under state protection, the temple covers an area of 34,000 square meters. Location of this temple is sitting west to east, wutai mountain, shanxi province, china;
Unknown
Content of the photo is aboutthe main hall of fo-kuang temple.
Dimension: length: 3400cm; width: 1700cm; height: 1200cm
Physical object
Period: emperor xuanzong of tang, the sixteenth tang dynasty emperor.
Drawing of the Dougong in the main hall of Fo-Kuang temple
This drawing shows the section of the dougong in the main hall of fo-kuang temple. This kind of Dougong applies on top of a square post. On both sides of the front side, there are double eyes and double eyes, such as sculpted heads. On the 45-degree line, there are two corners of the Huagong two-cornered corner. The arches and slow arches on the second side of the two hua gong arches on the front side intersect with the arches on the second jump hua gong. They extend out on the face of the adjoining corner and are two hops for the hua gong gong. The arches are juxtaposed to replace the wood. The second spurt will be played on the side of the side where the two sides meet, and intersects with Ang to support the order of the arches and gongs. From the head of the Bethesda bottle to the angle beam. After the first jump of Hua Gong, it coincides with the mud arch, and the second jump is the extension of the Luo Han Temple. The second jump of Jiaohua Arch stretches out from the back of the corner and is supported by the first jump angle Hua Arch to reach the inner corner column.
Dougong in the main hall of Fo-Kuang Temple
This dougong is in the main hall of fo-kuang temple plays an important role in the history of dougong evolution. It is a typical example of the first generation evolution and it maintain the stability and integrity of the whole wooden temple structure. This type of Dougong applies on top of a square post. On both sides of the front side, there are double eyes and double eyes, such as sculpted heads. On the 45-degree line, there are two corners of the Huagong two-cornered corner. The arches and slow arches on the second side of the two hua hua gong arches on the front side intersect with the arches on the second jump hua gong. They extend out on the face of the adjoining corner and are two hops for the hua gong. The arches are juxtaposed to replace the wood. The second spurt will be played on the side of the side where the two sides meet, and intersects with Ang to support the order of the arches and gongs. From the head of the Bethesda bottle to the angle beam. After the first jump of Hua Gong, it coincides with the mud arch, and the second jump is the extension of the Luo Han Temple. The second jump of Jiaohua Arch stretches out from the back of the corner and is supported by the first jump angle Hua Arch to reach the inner corner column.
Unkown
Content of the photo is about the dougong in the main hall of fo-kuang temple.
Is part of the component of the Fo-Kuang Temple.
Dimension: length: 600cm; width: 20cm; height: 800cm
Architecture drawing; section; 1:200 drawing
This 1:200 drawing shows the section of the main hall of Jinci. The reason why this Jinci was a link between the two was because of its large wooden structure, which inherited the architectural features of its predecessors, and the other part created a precedent for many later practices. Whether it is the roof tiles, or the brackets, or the columns and columns, etc., they all pay more attention to decorativeness. Changes in these components have further affected the overall aesthetics of the building. In the "Image of Chinese Architecture History", Mr. Liang sicheng pointed out that Chinese ancient architecture came from the vigorous period of Tang and Liao to the era of alcohol and the creation of the Northern Song Dynasty. At this point, the mighty atmosphere of Datang faded, showing the elegance and elegance of the Song Dynasty, but in a certain degree, it also foretells the architectural style evolution of the Ming and Qing dynasties in advance.
Liu dunzhen
Content of drawing concerning the main hall of jinci which is a representative work of song dynasty temple.
Dimension: length: 18cm; width: 13cm; 1:200 drawing
Architecture drawing; elevation; 1:200 drawing
This 1:200 drawing shows the elevation of the main hall of Jinci. The reason why this Jinci was a link between the two was because of its large wooden structure, which inherited the architectural features of its predecessors, and the other part created a precedent for many later practices. Whether it is the roof tiles, or the brackets, or the columns and columns, etc., they all pay more attention to decorativeness. Changes in these components have further affected the overall aesthetics of the building. In the "Image of Chinese Architecture History", Mr. Liang sicheng pointed out that Chinese ancient architecture came from the vigorous period of Tang and Liao to the era of alcohol and the creation of the Northern Song Dynasty. At this point, the mighty atmosphere of Datang faded, showing the elegance and elegance of the Song Dynasty, but in a certain degree, it also foretells the architectural style evolution of the Ming and Qing dynasties in advance.
Dimension: length: 10cm; width: 6cm; 1:200 drawing
Architecture drawing; plan; 1:250 drawing
This 1:250 drawing shows the plan of the main hall of Jinci. One of the characteristics of this large wooden structure is that the four old columns of the former Qianming Times did not fall directly on the back of the Sancha. One room was merged into a wide front porch with a depth of four frames. Functionally speaking, it is the space of the Buddha and the Buddha, like the first entrance to the deep hall of Baoguo Temple Hall and Hualin Temple.
Dimension: length: 18cm; width: 18cm; 1:250 drawing
Taoist temple architecture; northern song dynasty; wooden structure
This taoist temple, locating in the central axis terminal, is the main hall of jinci. It is also a representative wooden structure temple in the northern song dynasty and the oldest building among existing jinci. Jinci Temple was founded about 1,400 years ago and expanded during the following centuries, resulting in a diverse collection of more than 100 sculptures, buildings, terraces, and bridges. The best known structure at Jinci is the Hall of the Holy Mother, which was constructed in 1032. It has carved wooden dragons coiled around the eight pillars that support its upward-curving double-eave roof. The complex includes a classical garden with a 3,000-year old cypress dating from the Zhou Dynasty. Next to Jinci is the Wang Family Hall, a private villa built in 1532 for Wang Qiong, a high ranking official during the Ming Dynasty.
Emperor Renzong of Northern Song Dynasty
Content of the photo is about the main hall of jinci.
Constructed: 1023-1032 (northern song dynasty); Rebuilt: 1102.
Dimension: length: 3000cm; width: 2300cm; height: 1900cm
Period: emperor Renzong of Northern Song Dynasty, the fourth emperor in northern song dynasty. It was built to commemorate the daughter of Jiang Ziya who is also the wife of Emperor Zhou Wu and the mother of Emperor Zhou Cheng.
Drawing of Dougong in the main hall of Jinci
Small component drawing; elevation; section
This drawing shows the elevation and section of the dougong in the main hall of Jinci. The temple is seven bay, six depth building, Its rooftop is gable and hip roof with multiple eaves covering with a yellow-green glazed tile and the temple is 19 meters high. The corridor around the hall and the two front porches are extremely spacious. The side of the main hall rises obviously, giving a sense of stability. The temple structure is single-slot, that is, there is a row of inner pillars. All the walls of the hall except the front porch are deep cloisters, forming a squat. Inside and outside the hall, a "reduction column method" was used to support the roof beams with columns and pillars to expand the space inside the temple. The House of Our Lady basically conforms to the Customization of the "Treatise on Architectural Methods" and shows the architectural style and aesthetic consciousness of the Northern Song Dynasty. It is a national treasure for our country.
Content of the photo is about the dougong in the main hall ofjinci.