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The temple is seven bay, six depth building, Its rooftop is gable and hip roof with multiple eaves covering with a yellow-green glazed tile and the temple is 19 meters high. The corridor around the hall and the two front porches are extremely spacious.  The side of the main hall rises obviously, giving a sense of stability. The temple structure is single-slot, that is, there is a row of inner pillars. All the walls of the hall except the front porch are deep cloisters, forming a squat. Inside and outside the hall, a "reduction column method" was used to support the roof beams with columns and pillars to expand the space inside the temple. The House of Our Lady basically conforms to the Customization of the "Treatise on Architectural Methods" and shows the architectural style and aesthetic consciousness of the Northern Song Dynasty. It is a national treasure for our country.</text>
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One of the characteristics of this large wooden structure is that the four old columns of the former Qianming Times did not fall directly on the back of the Sancha. One room was merged into a wide front porch with a depth of four frames. Functionally speaking, it is the space of the Buddha and the Buddha, like the first entrance to the deep hall of Baoguo Temple Hall and Hualin Temple.</text>
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The reason why this Jinci was a link between the two was because of its large wooden structure, which inherited the architectural features of its predecessors, and the other part created a precedent for many later practices. Whether it is the roof tiles, or the brackets, or the columns and columns, etc., they all pay more attention to decorativeness.&#13;
       Changes in these components have further affected the overall aesthetics of the building. In the "Image of Chinese Architecture History", Mr. Liang sicheng pointed out that Chinese ancient architecture came from the vigorous period of Tang and Liao to the era of alcohol and the creation of the Northern Song Dynasty. At this point, the mighty atmosphere of Datang faded, showing the elegance and elegance of the Song Dynasty, but in a certain degree, it also foretells the architectural style evolution of the Ming and Qing dynasties in advance.&#13;
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                  <text>These drawings are technical drawing of temples that falls within the definition of architecture. Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to enable a building contractor to construct it, as a record of the completed work, and to make a record of a building that already exists for researching and studying.</text>
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                <text>Sectional drawing of main hall of Jinci&#13;
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                <text>This 1:200 drawing shows the section of the main hall of Jinci.&#13;
The reason why this Jinci was a link between the two was because of its large wooden structure, which inherited the architectural features of its predecessors, and the other part created a precedent for many later practices. Whether it is the roof tiles, or the brackets, or the columns and columns, etc., they all pay more attention to decorativeness.&#13;
Changes in these components have further affected the overall aesthetics of the building. In the "Image of Chinese Architecture History", Mr. Liang sicheng pointed out that Chinese ancient architecture came from the vigorous period of Tang and Liao to the era of alcohol and the creation of the Northern Song Dynasty. At this point, the mighty atmosphere of Datang faded, showing the elegance and elegance of the Song Dynasty, but in a certain degree, it also foretells the architectural style evolution of the Ming and Qing dynasties in advance.&#13;
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                <text>Liu dunzhen&#13;
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                <text>Content of drawing concerning the main hall of jinci which is a representative work of song dynasty temple.&#13;
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                <text>Drew: 1950&#13;
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                <text>Dimension: length: 18cm; width: 13cm; 1:200 drawing&#13;
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                <text>Chi</text>
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                <text>Mabelchoi&#13;
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                  <text>Architecture Drawings of Temples</text>
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                  <text>These drawings are technical drawing of temples that falls within the definition of architecture. Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to enable a building contractor to construct it, as a record of the completed work, and to make a record of a building that already exists for researching and studying.</text>
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            <name>Title</name>
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                <text>Drawing of the Dougong in the main hall of Fo-Kuang temple&#13;
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                <text>This drawing shows the section of the dougong in the main hall of fo-kuang temple. &#13;
This kind of Dougong applies on top of a square post. On both sides of the front side, there are double eyes and double eyes, such as sculpted heads. On the 45-degree line, there are two corners of the Huagong two-cornered corner. The arches and slow arches on the second side of the two hua gong arches on the front side intersect with the arches on the second jump hua gong. They extend out on the face of the adjoining corner and are two hops for the hua gong gong. The arches are juxtaposed to replace the wood. The second spurt will be played on the side of the side where the two sides meet, and intersects with Ang to support the order of the arches and gongs. From the head of the Bethesda bottle to the angle beam. After the first jump of Hua Gong, it coincides with the mud arch, and the second jump is the extension of the Luo Han Temple. The second jump of Jiaohua Arch stretches out from the back of the corner and is supported by the first jump angle Hua Arch to reach the inner corner column.</text>
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                <text>Liang sicheng&#13;
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                <text>Content of drawing concerning the main hall of fo-kuang temple which is the largest tang dynasty wooden temple.&#13;
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                <text>Drew: 1937&#13;
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                <text>Dimension: length: 9cm; width: 5cm&#13;
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                <text>Eng; Chi</text>
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                <text>Mabelchoi&#13;
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